UPDATED 2-8-2010

  THE LLANVIEW CRAZE

 February Sleeps   

After promising excitement and intrigue,
OLTL starts off sweeps with a dull, lifeless week.

The current artistic gatekeepers over at OLTL seem to have a consistently bad habit of starting off their sweeps periods with much too slow of a build. This time around, the show has clearly jumped on the "sweeps = catastrophe" bandwagon made popular by General Hospital, and copied - with varying degrees of success - by other soaps, including OLTL in the past. Remember the tornado that killed Duke while he was busy impregnating his stepmother, Kelly Cramer? That same tornado blinded Evangeline and led to some of the worst storytelling in the show's history. And while the Kelly/Duke reveal was entertaining, killing off Duke was a hideous error in judgment. Certainly, we are right to expect more from Ron Carlivati than that drivel. But 'drivel' comes to mind when searching for the right word to describe what I felt I was watching this past week. There were high points and good things about the week, don't get me wrong. But... for sweeps?  Not good enough, I'm afraid. Especially since, once again, comparisons to the other ABC sweeps periods are inevitable - especially when going the route of spectacle and effects. OLTL is fighting for ratings as well as respect.  Cancellation rumors abound. Despite some reassurance from the network (as well as on-set sources) that such rumors are exaggerated, this is no time for the show to be slacking. Compared to GH's stellar fallout from the Dante/Sonny reveal and even AMC's resurrection of Greenlee, OLTL is faring the worst so far. That's not good.

Sweeps aren't over, so there's still a lot of room left for OLTL to come out on top (creatively, at least). But my expectations now have been lowered considerably.  The show's obvious aspiration to produce a "big event" sweeps is probably a miscalculation. I love big events when done right, but for whatever reason, GH seems to be the only ABC show with the budget, effects, know-how, and talent to pull such a thing off. OLTL excels at events such as balls, press conferences, benefits, galas, etc. (Woman of the Year, anyone?).  But car pile-ups?  Not so much. I found myself very distanced from the drama by the rather silly ways in which cars kept spinning around in circles and going off the road for no apparent reason. Especially since there was absolutely NO WIND blowing that fake snow around! Once people got out of their cars, it looked like they were somewhere in very pleasant (albeit snowy) weather. Yet, everyone was skidding off the road.  It really hurt these scenes that we never saw the cars' exteriors.  General Hospital would have included shots of the cars actually driving up winding roads. One Life should have forgotten about the fake snow and shot some real car stunts in an "ice storm" rather than snow storm. And really, why did they need to do the car accidents at all?  Everyone could have simply made their way up the mountain for their various purposes. I was wholly unimpressed with the effects and the storytelling. The effects got in the story's way rather than supported the story (things stalled as characters searched abandoned cars and John McBrain once again had to rescue a damsel in distress). 

More painful than the special effects though, were the character interactions on Llantano Mountain and in the town proper. It's bad enough that we have to watch some contrived reason for Jolie to get back together (oooh, let's trap Natalie in a car and then make her hallucinate that she is kissing Jared...), but you know things are messed up when Jolie isn't even near the bottom of the barrel in terms of sheer annoyingness. I've really reached my limit with how awfully dull so many of the characters, relationships, and even actors have become. Watching Starr/Cole scenes is embarrassing. Two years ago, I looked forward to their scenes as star-crossed teens struggling to be together. Now they are like someone's grandparents who never leave the house and have sex once every other year while giggling about counting sheep and blowing bubbles.  They are the epitome of what a teen couple on soaps should NEVER become - dry, dull, and as sexy as mold (this is not even taking into account how Starr is supposedly the biological and psychological offspring of Todd and Blair, which makes her ironic cheesiness almost unbearable). How could the writers let their main teen couple become more boring than any real life teen couple? Soap couples should be more exciting than real people - not less so!  It's a travesty!  But the boring disease that has all but rendered Starr and Cole lifeless seems to be spreading to the entire town. I was shocked that one of the better couples on the show, Todd and Tea, seems to be succumbing to this annoying state. Their scenes were mushy and gooey and qualified as fast-forward material. And let's not forget the ENDLESS parade of Stacy/Gigi/Kim/Schuyler/Rex combinations, which all amount to regurgitated, recycled, unimaginative, and often badly acted scenes featuring practically interchangeable characters who mean nothing to me and are about as engaging as watching C-SPAN.  "Why couldn't they all just die in a car accident," I caught myself wondering out loud as the rather pointless parade of cars made their way up the mountain.  Something is REALLY wrong when so many of the canvas' most prominently featured characters inspire only indifference or annoyance.

But the most brutal reality of all is that OLTL has badly bungled the return of Mitch Laurence. I can't deny that anymore, despite my love of Mitch and Roscoe Born. Mitch's pathetic, empty stronghold houses one follower (cartoonish Nurse Charles) and two momentary thugs. Really? That's Mitch's cult? Where does his power come from, then? Who was feeding him information these past months, down to knowing exactly how many times Stacy and Rex had sex? If these mysterious sources of information were so great, then how are we supposed to buy that Mitch didn't know Stacy had lost the baby and then went about trying to seduce half of Llanview? Everything about the Mitch story is inconsistent and borders on nonsense, including his ability to evade the law and manipulate everyone around him when he seems to have only one lousy follower.  When thinking of the possibilities with Mitch coming back compared to the sloppy and head-scratching execution of it, there's nothing to do but hang one's head in shame. There are some good moments, no doubt. It's wonderful to see Jessica go batshit crazy again, because we all know she is useless and annoying unless she is as crazed as a rabid goose. But while Bree Williamson may be benefiting most from this so-called storyline, others like Robin Strasser and Brian Kerwin are practically being humiliated with nonsensical writing and absurd scenes in which Dorian squeaks, sqwaks, limps, and shrieks after Charlie to kill Mitch, while Charlie perpetuates his new incarnation as Llanview's worst husband and biggest jack ass. 

Obviously, I'm disappointed.  If only TPTB had not tried to be more like General Hospital and instead tried to be OLTL at it's best, I wouldn't be holding on to Gina Tognoni's first air date and counting down the days until Stacy is killed off.  Instead, I'd just be enjoying the ride. This is sweeps after all. I guess I was hoping for more than some stranded cars and some silly Mitch stuff. I guess I'll just wait patiently for Stacy's demise and hope the pay off makes up for this lilting start to February.   

 

Monday, Feb. 1

-  Obviously, Stacy's doctor could figure out what is going on, between not remembering ordering the oxytocin script, to already knowing Rex isn't the father, and Stacy going into labor a month early. Stacy, Kim, and Schuyler are not good schemers. If Schuyler was a good schemer, he would have just stolen the drug, not signed his name for it.

-  Jessica is pretty dumb. She kept defying and egging on Mitch. You'd think she'd know by now to either play along or perhaps fake her alter personalities coming out. But the writers insist on writing her as very stupid.

-  The Eli/Blair scenes are boring compared to the Blair/Ford moment we got last week.

-  Finally, Jessica figures out that she has to play along. She's not convincing at all, but Mitch is buying it. What are the writers doing? Not enough thought went into any of this! 

-  Dorian and Charlie are just hanging out in Rex's apartment for like, an hour.  More crap that doesn't make sense. Why is Dorian being so freaking careless? I thought her entire motivation was to "protect her girls?"  She's willing to appoint Lowell as police commissioner, but she's also willing to be seen in public conspiring with Charlie and trying to kidnap Stacy? Makes no sense.

-  I don't care how the show tries to explain this away, but Brody needs to go to jail. You cannot threaten people in open court with a gun and then fire it off (even if staged) and get away with it.

-  Again Jessica proves her stupidity by trying to call on a cell phone thirty seconds after Mitch left the room. She should have sent a mass text out instead of tried calling. And she should have stayed in bed longer and checked through the curtain before trying to use the phone.

-  John and Brody beating up cops?  Really? 

-  I usually love Tea/Starr scenes, but today they're boring. In fact, Tea has been losing some of her edge. Starr lost hers long ago, but PLEASE, writers, don't turn Tea into a softy.

-  I can't stand Gigi and Schuyler as a couple now. Gross.

-  I was confused by the EMT's beating up cops for John. I missed the first line about them being "friends from the bureau." That was really confusing. And why would FBI agents agree to beat up cops? And why didn't any of the cops call for help? I felt like I was watching a bad episode of some 80's cop show.

 

Tuesday, Feb. 2

-  Have you EVER seen a faker baby bump than the one on Stacy?  Shameful!

-  I'm SO SICK of Mitch having one freaking follower! If TPTB didn't want to invest in a bunch of extras being on every day, then they should have had Mitch come out of his coma pretending not to have his memory, and insinuating himself into Jessica and Rex's lives and done a whole "is he still evil?" story or something.  Roscoe Born's talent is being disrespected in this dumb storyline.

-  Cole just ran out of his apartment to go save his mommy - without a coat or keys. Good luck with that.

-  John, Brody, and Nat are just driving as fast as they can, with no idea whatsoever where they are going. 

-  Why is Gigi putting on this whole "Poor Me" act for Rex? Note to Gigi: You could have reported Rex to the government and demanded child support. You chose to raise your baby on your own. Stop whining and trying to seek attention from the man you just coldly dumped for another shallow liar. And PLEASE cut off your crazy, crazy hair!

-  The only character I like today is Marty. She's doing the whole "tough momma" routine and standing by her man and kind of breaking the rules. 

-  Now John and Brody are SHOOTING BULLETS at fellow cops? C'mon, they HAVE to go to JAIL!!!

-  Kim needs to get a damn life. She is more concerned with Stacy ending up with Rex than she is with the health of Stacy's baby or what is going on with Clint. 

 

Wednesday, Feb. 3

-  First ever Stacy/Dorian scenes. I enjoyed Dorian screaming at Stacy, that's about all I can say about these scenes.

-  Lots of Markko/Starr scenes today. Mark my words, this is a chemistry test.

-  Again, Todd/Tea scenes are boring and making me antsy. Boring dialogue and kind of a waste.

-  They should kill off Langston while she's flat on her back with Ford. Kind of like Duke/Kelly redeux. However, I recently saw a press photo for the next High School Musical Langston is writing (GAG ME NOW!), and Langston was in it.   So... she's not the Cramer that's being killed off. I think she should be, though. If they kill off Cassie or Adriana over Langston, I'm gonna be pissed.

-  Langston is being so whoreish. She needs to be honest with Markko. 

-  David Gregory is so good looking, and Ford is so seductive. Here's what I think they should do: Have Ford seduce and manipulate everyone in town and build for a year or so as the show's main scoundrel/villain. Then, get in a terrible accident and become completely deformed. 

-  At least Stacy is finally telling the truth and trying to get out of this mess.  She's smarter than Jessica - isn't that sad???

-  Mark Lawson delivered a stellar monologue today when Brody was looking out of the car window and talking about Jessica. What a great example of how an actor can turn cheesy dialogue into an acting showcase. Nice, subtle honesty from Lawson.

-  Does anyone remember how Brody was a heavy-drinking manwhore when he first came on the show? Can we revisit that when Jessica turns into a sixteen year old nutbag?

 

Thursday, Feb. 4

No matter how hard they try, soaps just can't make car crashes seem realistic. So why do they bother? And another thing they can't do right... snow. Real snow melts. Sigh.

-  MORE Todd/Tea drowsiness? Third day in a row of them talking about their feelings. Yawn.

-  MISSING IN ACTION:  Cris and Layla.  Layla probably heard Jessica has Reverse SORAS Disorder and decided to go join Evangeline in her mother's attic.

-  Gigi on the phone with Schuyler: "I'm losing you!" Is that foreshadowing, writers?

-  And so begins two entire days full of characters talking into phones that keep cutting out. SUPER ANNOYING. And I guess everyone in Llanview uses AT&T or something. My phone doesn't cut out during snow storms. 

-  Sigh... Gigi and Sky on the phone.... Dorian screeching at Charlie and then screeching that her feet hurt... John popping an air bag... THIS is February Sweeps?  Zzzzzzzzzzz.

-  Why is the snow coming straight down? Where is the wind?

-  Okay, Nurse Charles is creepy, but why isn't Allison Perkins in this storyline instead of her? Who cares about this random nurse?

-  The dialogue when Starr and Cole are in bed together is shockingly bad. The type of stuff that gives soaps a bad name.  Kristen Alderson fairs much, much better in dramatic storylines and needs to be kept away from this cutesy-patootsy crap.  It doesn't suit her.

-  Cole just told Starr he is afraid of sheep. I'm about to pull my hair out.

-  Starr is helping Cole fall asleep, which in turn, is helping me fall asleep.

-  Jessica: "Father?  Is that my baby?" WHOAH. I guess it just took one shock to turn Jessica into her old CUH-razy self again. Yay!  Now writers, please make sure to never let her regain her sanity. We know from experience she's just no good that way.

-  Why did TPTB spend time and money on blowing up the getaway car as if we are meant to wonder if John and Natalie are dead? They know the fans are smarter than that. Complete waste of money!!!

 

Friday, Feb. 5

-  Starr, while being sexually suggestive with Cole: "Do you think this is gonna help you get to sleep?" Umm... yes, Starr, that is the usual effect on a man after having sex. This only supports my theory that Cole and Starr have only had sex two or three times in their entire relationship. Apparently, they also do it while fully clothed. I guess they learned that from Bo, Nora, and John McBain. It's the Llanview way. But seriously, Starr and Cole must have the most boring sex ever in the history of Planet Earth. This is official Storyline S.O.S. Make that Character S.O.S.

-  Why is Mitch pissed at Stacy? He should be mad at his moles and spies that told him everything down to Tea's secret daughter, yet failed to mention that Stacy had a miscarriage and then tried screwing every gay man in town.  

-  I feel bad for Roscoe Born today. He gives it his all, but this dialogue is seriously rotten.

-  THANK GOD ROXY IS ON TODAY.  It's about damn time.

-  Wait!!! Kim is at the mansion, and so is VIKI! I thought we would get a Viki/Kim moment, but we didn't. Monday, please!!!

-  Jessica's zombie-like lack of interest in Mitch/Stacy is kind of how I feel about the whole show right now.

-  I do like the Roxy/Kyle scenes though, and it's cool that Kyle chose to divulge the truth about the baby to Roxy. I also like how she warned him that he shouldn't tell her any secrets. 

-  But after promising to tell Kyle (and the audience) the truth about Rex's conception, it never happened. WTH was that?

-  A certain former marble-mouthed performer has slipped back into their old ways. I can barely understand a single word.

-  Watching Schuyler, aka Who Cares, hobble around with some sort of leg wound is about as entertaining as taking out the trash.  It's a chore.

-  Good Todd/Viki scenes. 

-  LOVED Nigel being nice to Kim.  Good moment.

-  Stacy is such a dumb biatch. She is released from captivity and what does she do? She bangs on the door to please let her back in, because it's snowing, after all. You better start WALKING, girl. 

-  Charlie: "I can't let Gigi go out there alone." Gigi: "Yes you can. I'm from Michigan. This blizzard is nothing." YES!  Love that line. And I was thinking the exact same thing. My goodness, what would any of these people do if they had to endure a Chicago winter? That blizzard is a joke!  But then I realized the show films in New York City and is set in Pennsylvania. So shouldn't the show know how to make it look like a bad snow storm?  If not, then why bother?

-  Oh no.  I can't believe the show is "going there" with this Jessica/Mitch incest thing. Well, at least they have my attention now. The scary thing is that, the way Jessica is acting, I wouldn't be surprised if she agreed to have sex with her father.

-  Roxy, talking about Stacy: "That bitch... is dead." More foreshadowing.  I think we get it now. 

-  I'm interested to see how Stacy's death will affect the Kim/Clint relationship.

 

 

**MAIL REPORT**

"Although I stopped watching the show regularly a while back, I still read your column regularly. I admit that I have tuned in and taken a few peeks at the show since dropping off and I haven't seen anything that makes me want to become a regular viewer again, with the sole exception of the Clint / Kim storyline. Everything else seems disingenuous and under-cooked. Reading your column this week just confirmed my impressions. What I have seen of Mitch is an overblown travesty and a missed opportunity of immense proportions. Why the show has begun going "broad" with so many characters, including Dorian, is beyond me. If anything, soaps need to go "smaller" to satisfy true soap fans. By go "smaller", I mean they need to really focus on the thoughts and motivations of the characters, based upon their history, and let the story spring organically from there.

Have you seen the HBO show, "In Treatment"? It presents characters in therapy sessions, basically confined to one room at all times. It is riveting because it relies upon skillfully written dialogue to reveal complex characters. In a way, it reminds me of the way soaps were long ago, before big budgets and a reliance on stunts and action - just people in a room talking, but drawing the viewers in deeper and deeper to the psyche of each character. Let's face it, soaps are not really the best format for big action stories. They are much better suited to a microcosmic approach and are unique as a genre in that respect. Thus, having a character as rich as Mitch and reducing him to a caricature robs the show of richness and detail. Nearly every character on the show right now is being portrayed much too broadly, including, sadly, our beloved Dorian. I would love to see the show shift its emphasis to beautifully written dialogue that takes us deeper and deeper into the hearts and minds of the characters and explores the consequences of their history, out of which story would grow much more organically. The intimacy of the genre and loyalty of the audience would be better served by such an approach.

Ironically, the show came closest to this approach during the Todd / Marty storyline that has become known as the "rapemance" story. It was actually a fascinating, complex situation that grew out of history and developed organically, using the "two people in a room talking" device. It was utterly fascinating and I hung on its every word...and then it was hastily abandoned and the show beat a retreat to rehashing any number of previous plots and relationships, revisiting stories that had not only been played but played out, and had reached a natural conclusion.

I am sorry and sad that I can't watch and enjoy One Life To Live any more...I miss it. But I don't want to watch simply out of habit or out of loyalty to my idealized version of what the show could or should be. I want to be entertained by a show which is intelligently written and directed. Lord knows the cast has some of the most amazingly talented actors in any genre. This only makes it worse, to see their talents squandered. For every rich, complex and beautifully portrayed character like Dorian, Viki, Tea, Todd and Charlie there is a Stacy, Gigi, Fish and even a bizarrely over-the-top, one-note Nurse Charles. It's just not enough anymore. However, I will continue to read your beautifully written and thoughtful column in the hope that one day I will learn that the show is once again achieving its potential."  - Louis

This letter is so profound! Louis is SPOT ON in regards to soaps needing to focus on CHARACTER SCENES!!! These automobile pile ups with fake snow are so dumb!  Why is Dorian going around in disguise and screeching at everyone?  Where are the DORIAN SCENES???  I like some of Ron Carlivati's instincts, but it's time to focus back on the characters we love and stop writing plot before people!!! This letter speaks directly to my commentary at the beginning of the column. Thank you, Louis! 

"John will be involved in a completely different story this time around, but I think you will see him wanting to do the right thing by sticking with Marty during her pregnancy (if she really is pregnant), but yet he’ll be longing for Natalie.  Both John and Natalie will do what’s right for Marty.  If they raise her lupus issue again (which IMO the writers have completely ignored due to their silly plot points), then she’ll have a risky pregnancy which means that John will be all the more in turmoil but he’ll be devoted to her in taking care of her.  Now this is the redeemable John that I think you and other John haters will be happy with."  - Angela

I'm not sure WHY I'm intrigued by this Marty pregnancy thing, but I am.  Normally the pregnancy gimmick doesn't work for me. But Marty is an interesting, atypical candidate for it. First of all, the Marty/John/Nat triangle needs a complication. Right now, the only really good thing about it is the tension between Marty and Natalie. Something about their rivalry really makes the story click, despite my general apathy toward McBain. But once the writers establish that John wants to be with Natalie (I think the viewers know this, but maybe John hasn't admitted it to himself yet), there won't be anything to keep him with Marty other than guilt. And John doesn't normally let guilt keep him from dumping someone. I wouldn't even be surprised if Marty is the one to break up with John. I think THEN, after Marty and John break up, she should turn up pregnant. Natalie will be suspicious that Marty did it on purpose - and you know what? I think that's part of what intrigues me about this.  What IF Marty gets pregnant on purpose?  I mean, if she really wants to keep John, that's probably her best option.  But most likely it will be accidental, because that gives the story a little more authenticity and richness.  Angela is right that TPTB need to bring Marty's lupus back into the mix. Give her a high-risk pregnancy.  John and Natalie become the tortured would-be lovers, unable to be together because for the first time, John will be a father. And I have always thought that the only chance the writers have of making John progress as a character is to make him a father. I don't personally want to see it (I'd rather he just die), but John's glaring lack of emotional commitment is one of the primary reasons I think he is a failure as a soap character.  On paper, a Marty pregnancy is very interesting indeed.  A lot more interesting than a Stacy Morasco pregnancy, that's for sure.  It could give the show a chance to let John be a man for once, or perhaps say "screw it" and recognize that he really needs to be with Natalie. Personally, I wouldn't mind seeing Marty turn to the dark side a bit in this struggle - because you KNOW Natalie will play dirty. I think there are way better stories waiting for Natalie than another round with John or a rivalry with Marty. I really do. But there isn't much better going on for John or Marty. 

"I, like you was very excited about the return of Mitch, but come on....this story is absolutely ridiculous!  His crazy rants, electric shocking Jessica, holding everyone emotionally hostage...ENOUGH.  I will put up with a crazy storyline, but this reminds me of when the Cassidines were going to freeze Port Charles. (many years ago)  Mitch is a cartoon character.  Where is this cult?  Where are all the cult members?  It's just him and that crazy nurse.  She never blinks!!!   It almost feels like they had a really good storyline planned to bring Mitch back and then one day TPTB said "never mind" and they are just writing the quickest, stupidest way out.  Jessica becoming a high school student again????  WTF????"  - Warren

I, for one, am glad that Jessica got some electro-shock therapy - simply because I prefer her as crazy as possible.  A sane Jessica is a boring Jessica.  We've all had to endure that difficult lesson for many years now.  If we can't have Bess, then I'll take "I think I'm sixteen again" Jessica.

But... yes, the Mitch return is an official botch.  And so far, so are sweeps overall. 

"I miss Cris and Layla."  - nOva

Who???

 

That's it for this week.  Please send your OLTL thoughts, complaints, suggestions, and desperate pleas to:

Robert Iger, President of Disney
(ABC Parent Company)
robert.a.iger@disney.com

Anne Sweeney,
President of Disney-ABC 
anne.x.sweeney@abc.com.

Brian Frons,
ABC Daytime President
500 S. Buena Vista St.
Burbank, CA 91521-4551

Brian.Frons@abc.com

Frank Valentini
(Executive Producer)
C/O One Life to Live
ABC Daytime
77 West 66th Street
New York, NY 10023
frank.valentini@abc.com

Ron Carlivati
(Head Writer)C/O One Life to LiveABC Daytime
77 West 66th Street
New York, NY 10023
ron.carlivati@abc.com

ABC Comment Line: 323-671-4583

OLTL Viewer Comment Line: 212-456-3338

ABC Daytime Feedback Line: 212-456-7777

Thanks for reading, and don't forget to e-mail me.  PLEASE include your name or an alias in case I choose to print your comments!

 

 

Until next time - don't forget to feel the Craze! 

Jeremy in Chicago

 

 

 

 

ONE LIFE TO LIVE

With Mitch and Stacy leaving, who should become the show's next villain?

Allison
Ford
Dorian
Kim
Todd
Danielle
  Current Results
Last weeks column
Comments/feedback?
Email me at:
JeremyInChicago@soaptownusa.com

Pictures courtesy of ABCWEBPIX


Site content © 2001-2010, NLG Design Productions
 Soaptown strives to obtain copyright permission to post all information and images on the site. If you are the "copyright" holder for any materials posted on this site and would like them removed or copyright information changed, please e-mail the editor.
© 2001-2010 Not to be reproduced without permission.