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UPDATED 9-29-09
CRAZE
Jolie - Never Again

Jared Brotherton's firing prompts a dire warning to TPTB: Never again.

 Well, I never
thought I'd find myself in this position. That is, I thought I'd
never have to write about Jolie again. I know I'm handing a partial
victory to the increasingly hopeful Jolie fans by even writing this
- but let's face it, TPTB are the ones throwing them a huge bone in
the first place. I'm just commenting on that. TPTB have fired John
Brotherton (Jared) and immediately shoved Natalie back into John's
smelly, stoic sphere. Are they planning a full-fledged Jolie
reunion? I'd like to say I doubt it, but right now I'm pretty
scared. For starters, I think we are going to be revisiting one of
the worst triangles in the history of the show,
Natalie/John/Marty. I hope and pray I'm wrong, but I'm just
responding to what I see on my screen. And what I see is typical
John McBain: Have sex with one woman, get bored with it after a day
or so, start to butt into another woman's business, then wait for
the women to start fighting over him and see where the cards
fall. When a man like John (incapable of and disinterested in
romantic relationships beyond basic sex) gets trapped with a woman
who loves him and has emotional expectations of him (as is suddenly
now the case with Marty, who no longer needs saving), he will find a
way to cover up his phobia of commitment and romance rather than
face it head on. John pits women against one another instead of
dealing directly and deeply with any one woman's needs. John is not
interested in making women happy or fulfilling them. He is only
interested in saving them from danger and having sex with them. It's
a pattern, and it's happened many times before. He plays one woman
off of another in the hopes it will distract from his emotional
impotence and his inability to satisfy a woman's needs beyond the
occasional "You look pretty today," or a session of half-clothed
sex.
But the worst thing about John McBain isn't his awful problem
connecting with women; it's his dishonesty about it. John never
communicates with his women on a deep level. He listens to them
pour their hearts out, and then shrugs his shoulders and pulls them
into a kiss (if they're "lucky"). He doesn't respect women as
equals. If he did, he would flat-out tell them what he is about. He'd say, "I care about you as a friend, and I am attracted to you.
I'd like to hang out and have beer, pizza, and sex. But please
don't ask me to feel anything beyond that, and don't take it
personally because it's just not me. I don't want an intense
emotional relationship. I just want to be casual." John leads
women like Marty on, letting them create their own reality with him,
until he inevitably shatters that reality when he's finally asked to
return that intangible love which he has never felt for anyone other
than his father and supposedly the long deceased Caitlin - though I
don't know if I believe that he really loved even her. The presence
of a leading male character like John on a soap is inexplicable and
will remain one of life's great mysteries (why would a soap want a
leading man incapable of romance?). But if the writers at least
allowed John to boldly be the way he is, rather than cowardly avoid
direct and honest communication on an adult level, maybe it wouldn't
be such a disaster.
For my money, John
and Natalie were the worst couple in the history of One Life to
Live. That they developed a rabidly cult-like sect of fans whose
obsessive cruelty on message boards and the like borders on
legendary, continues to baffle. But I believe the Jolie craze was
intrinsic to John's affair with Evangeline, which spiraled into a
racially charged war between fan bases. Not being a fan of John
myself, I was mildly surprised that John and Evangeline, as screen
partners, didn't bore me. In fact, I thought they were watchable
together. That was nothing short of a miracle for Michael Easton's
John, who seemed to literally suck out the spark from every female
whose path he crossed, including Melissa Archer. Easton and Renee Goldsberry worked fine together, though I certainly didn't think
John/Evangeline was any great romance. They worked precisely
because they were having a hot sexual affair, which didn't force
John into the romantic role he refuses to play (until Evangeline,
like all of John's women, wanted more from him than he was capable
of giving). Still, I received loads of hate mail and threats just
for preferring John with Evangeline over Natalie. I suppose my
utter dread of a Jolie reunion has almost as much to do with their
fans as it does with their soul-sucking, shmacting screen time.
So I find myself
needing to write this column, despite my preference not to receive
hate mail (though sometimes it's funny stuff) and my fear that
bringing focus to Jolie might only make the problem worse. My
reservations are overpowered by my
need to remind everyone (and
especially TPTB) of why any attempt at another round of Jolie would
be the worst thing that could possibly happen to this show. In
order to do that, we have to look at each character separately as
well as together.
First, Natalie. My relationship with Natalie has been very rocky. When she arrived in Llanview, I thought, "Who is this strange,
bug-eyed day player?" But as her screen time increased and her
stalker ways became more apparent, she started to intrigue and
excite me. By the time she (along with my favorite nutcase, Allison
Perkins) delivered the bombshell that she and Jessica had been
switched at birth, I was a bonafide Natalie fan. Those first couple
of years were the best. Natalie was the next generation's answer to
Dorian - or so I thought. True, she turned out to be Jessica's
twin, but here we had a fiery red head primed to be Jessica's worst
enemy despite a familial connection. OLTL needed the next Viki and
Dorian, and I thought they had it in Erin Torpey's Jessica and
Melissa Archer's Natalie. This explains my wild enthusiasm about
the sisters' reignited feud earlier this year, which was
inexplicably dumped in favor of quick mutual forgiveness that
wreaked of a scrambled re-write. But I digress.
Natalie was sadly
turned into a goody two-shoes and paired with David Fumero's
Cristian. Nat and Cris were boring, but not really offensive. They
were just... standard. Through the course of their relationship, my
love affair with Natalie deadened. She had turned into Jessica #2. I never cared for Jessica #1 much, and could not conceive of why Viki needed to have two boring daughters instead of one boring one
and one hellaciously bitchy one. But every time Natalie faced a
hardship, such as the "death" of her husband Cristian or a run-in
with Jen Rappaport, her bitchy side came out and kept me loyal to
her. But no fear; John McBain was here. Natalie was paired with
John and also had a triangle with John and Cris, which was pretty
lame except for when Cris was programmed by Carlo Hesser and had a
brief spurt of being an interesting character. But Natalie wound up
with John. I believe John was conceived as this dark, brooding
character, who would have complimented Natalie's own dark side. But
apparently Michael Easton and TPTB thought "dark and brooding" meant
wearing black every day and being indifferent toward women.
John and Natalie
started off as friends, and they were acceptable in that regard.
Pool and beer - that's swell but not particularly romantic. There
wasn't any chemistry beyond being "buddies", but back then OLTL was
full of chemistry-devoid couples and was pretty much a shit-stinker
of a show. What was one more crappy couple, then? Well, I'll tell
you: The humiliation and destruction of a woman, if not all
womankind! John and Natalie's time together devolved into some of
the most shockingly sexist, difficult viewing in my 20 years of
watching soaps. John began treating Natalie like his kid sister,
talking down to her and scolding her at every turn. Natalie morphed
into a doe-eyed, whiny brat who pouted yet put up with John's
flat-out abuse of her. John was portrayed as Natalie's guardian,
and she was the disobedient ward. As a romantic couple, they were
incestuous and sickening. As the months dragged on and on,
Michael
Easton began rolling his eyes during their scenes together, as John
seemed to literally despise his own girlfriend. Yet she stuck
around. Was this really love in the afternoon? No, it was more
like abuse in the afternoon.
Jolie was by no means the only horrible couple in OLTL's history.
There have been many. Jessica and Antonio, check. Cristian and
Evangeline, check. Rex and Adriana, check. But John and Natalie
take the cake (okay, maybe tied with Cris and Evangeline!). They
were the antithesis of a believable, compelling love story. It's
one thing to pair two actors who seem to hate being in scenes
together and lack any semblance of chemistry. But it's another
thing entirely to even consider doing it again, years after
scrapping them and salvaging their characters from ruination.
You see, John and
Natalie have been saved since their break up. Though John is still
an ill-conceived, ill-executed, useless soap character, at least
he's not abusing any women (unless you count the way he spat Blair
out... and I'm sure Marty will be next). But Natalie has risen from
the ashes of abuse and ugliness. Enter Jared Banks. By no means a
great character in his own right, nor played by a great actor
necessarily, Jared somehow clicked perfectly with Natalie
nonetheless. In fact, Jared is almost an exact parallel of Nat.
They both came onto the canvas seeking revenge against those who
would eventually become their most cherished loved ones. They have
had times of great storyline (being locked in the secret room,
Nash's death) and they have had times of being on the back-burner
(the past several months). Their true potential has never been
reached, because TPTB wouldn't let them go full-steam into a feud
with the terminally insane Jessica, whose daughter should have been
handed over to Natalie and Jared long ago. TPTB chickened out.
Now Jared is being
written off the show, leaving Natalie alone once again, and leaving
Brian Kerwin's Charlie with even less to do and less connection to
the canvas. Like I said, Brotherton has never really riveted me in
any way, but he does have chemistry with Archer. Nat and Jared
worked very well as a couple. They had oodles of unexplored
storyline potential. Now it's all thrown out the window, and even
before it's played out on our screens, John has been inserted
between them.
Ah, John McBain.
Here's the simple truth: John doesn't work in love stories or
really with women at all outside of saving them from some kind of
danger. That much I know is true. I've been watching this man for
what seems like an eternity, and I can emphatically insist that he
has no chemistry with females. He does, however, work just fine in
his scenes and storylines with Bo, Fish, David... that is, men. His
rivalry with Todd was entertaining. Surprisingly, his recent
pairing with Blair worked, probably because (like Evangeline at
first) they were friends who had a sexual connection, and there were
no greater expectations. But Blair and John were another aborted
success, just like John and Evangeline before them. It could have
worked much better if the writers had given John/Blair the time of
day, but they refused. Both characters suffered the hell of being
thrust back into the deadening voids of their entanglements with
Marty and Todd. I think the reason John and Blair worked is
precisely because they weren't in love with one another. John can
only succeed in a couple if romantic love is not involved. But
Marty is in love with John, and already it's becoming painful
to watch. Beyond the obvious lack of chemistry, it's painful
because for the thousandth time, McBain is shown in scenes with his
love interest, coming across as vaguely disinterested, bored, barren
of passion, and quasi-asexual. Marty has to actually show up on his
doorstep and offer her body to him in order to spend any time with
him. After one roll in the hay, John is already too busy with his
work (i.e., breaking up Natalie and Jared) to spend any time with
her. Marty truly would have been much happier with her rapist than
with a disinterested zombie, methinks. At least her rapist had the
kind of passion for her that she will never find with John. Poor
Marty. And poor Susan Haskell.
I don't really care what happens to John. I think if he was written
off the show, it would be an amazing thing for the female characters
on the canvas. But I know that won't happen so I have to focus on
saving Natalie. I've invested a lot in this character over the
years, and I've watched countless head writers screw her up and ruin
what works for her - and that's fiery, bitchy, bad ass Natalie. That red-headed flame of Natalie's is extinguished by the presence
of John McBain, whose black, cavernous emptiness makes every woman
ask the question, "Why doesn't he love me?" And when faced with
that question, what is John's response? He grabs them by the hair,
tosses them on his stinky, unwashed sheets, and has a quick
five-minute round of black tank top-wearing sex before setting out
to save someone else. John McBain doesn't know why he can't love,
and I for one have no desire to watch him and his demons try to
figure it out ever again.
Keep Natalie far, far away from John McBain's boring old bed. A Jolie reunion would ruin this show. Mark my words!
Monday, 9/21: "BREAK ON THROUGH TO THE OTHER SIDE"
- 4 out of 5 times
we see Schuyler, he is jogging. Enough, already.
- If Shaun wakes
up, I hope he is more like the diabolical, vengeful version Greg is
dreaming up. But actually, I'm starting to have fantasies of Greg,
Shaun, and Rachel all disappearing for good. They are a snoozefest
of mediocrity.
- Bo needs to
start dating someone. I'm all about Bo/Nora, but he can't just sit
around pining after her. Bo needs to get laid just like everyone
else, and for the life of me I don't know why TPTB have not gotten
him good and drunk and into Roxy's bed. That would be hilarious.
Or perhaps he can go on a date or two with NuHippyCarlotta.
- Tea is really
training Todd, isn't she? I bet they have some really rough, kinky
sex. I could see Tea as a dominatrix, actually. She is not to be
messed with. Todd reacts to Blair screwing a guy in front of his
kids, and Tea gives him the ring back. Dang.
- Seriously with
an entire episode full of Greg having conversations with a pretend
version of Shaun? I think we understand how Greg feels about the
surgery - this was major overkill, and further highlighted some
highly questionable acting.
- I am kind of
impressed with Gigi's rare (for soaps) ability to think ahead
several months and understand the consequences of what is happening
now between her and Rex, psychologically speaking. Now she just has
to do something about it. Time to dump Rex, honey. He knocked up
your sister. There is no coming back from that.
- Ugh. How many
times can Fantasy Coma Shaun reappear over Greg's other shoulder? How utterly absurd. Were these scenes meant to be camp, or were
they supposed to be serious?
- I'm starting to
enjoy Michael Lowry quite a bit. I didn't like his Ross at first
but now I'm seeing a lot of potential for a type of male character
we don't have on the show. Someone brazenly sexual, forward, bold,
confidant, and able to be both sensitive and scheming. And
actually, he's the perfect match for Blair. He's basically a male
version of Blair, only less pathetic.
- Where the hell
does Bo live? For a long time it seemed like he had moved into the
mansion. Is he back at his old apartment now?
- Rex's marriage
proposal was so lame and desperate.
Tuesday, Sept.
22: "EVERYBODY, LIMBO"
- Stacy doesn't
know what flatulence is? Honey, look in the mirror.
- Why is Jared so
frustrated? I am anxious to learn what is really going on with
him. And I'm pissed that I know he's leaving the show now, because
it detracts from the mystery of the story a bit.
I'm not even
going to say his name, but I saw some of the worst acting in the
history of One Life to Live today. OLTL is hiring a lot of big
name, expensive actors, and they're going to have to fire some
people. I think there are some very obvious choices, which
unfortunately will hurt the show's newfound diversity in more ways
than one... but it has to be done. Time to wake up and smell the
bad acting, TPTB.
- I love Kim's
idea of her and Stacy moving to L.A. That's definitely where they
belong.
- Okay, so for
the last several weeks, Stacy was willing and happy to screw any man
she could to try to get pregnant. Now all of a sudden, she wants to
give up her entire plan? The writing makes no sense and is a huge
waste of my time. Watching characters I have no care or interest in
run around in mental circles does not a soap opera make.
- Please excuse
the political incorrectness, but I have to ask: Is Greg retarded?
He suddenly has the maturity and thought process of a five year
old. If I have to sit through any more voice cracks, lip trembles,
fake sniffles, or whiney mea culpas, I will seriously go into a coma
myself.
- When Kim and
Stacy were walking through the forest or wherever the hell they
were, I started fantasizing that wild animals would spring out from
behind the trees and maul them to death.
- I think Kim is
a man. I really do.
- As much as I
hate John, it's obvious that Jared is hiding something.
Wednesday,
9/23: "FATHERS AND SONS"
- The scenes
between David and Matthew were hilarious. Now that the reality
TV
crap is over, David is immensely enjoyable again. His wanting to
play Matthew in a movie was beyond hysterical.
- Dorian Cramer
Lord - Yes She Can! What an inspired piece of work from the scenery
people. Bravo!
- How stupid is Blair to give Dorian all of the information about
Ross and Tea? I guess I know Dorian better than Blair does, because
I knew right away how she would use this information to screw up
Blair's plan.
- I could watch
Viki/Tea scenes all day long and never get bored.
- Jack Manning is
the best child character I can ever remember on a soap. He is just
golden. Carmen LoPorto is a little genius in the making. Jack is
like a little Todd and a little David Vickers combined, with hints
of Dorian. When Todd asked Jack to be his best man, I melted a
little. And how significant that Todd literally has no other male
in his life that he could ask to be his best man. Sad.
- I wish I could
reach into the screen and murder Markko's father. He is a waste of
humanity, a close-minded bigot who represents everything that is
wrong with our society and the misguided term, "family values." Not
to mention he's a wretched father and husband. Scary!
- Maybe Mr.
Rivera and Mr. Fish can get together and talk about how much they
hate gay people and pre-marital sex? Just imagine if Markko was the
one coming out of the closet. I don't think Mr. Rivera would have
invited him to dinner at the end of the episode if Marrko's
significant other was Cole instead of Langston.
- Scott Evans
needs to stop with the pouty, fake emoting. When he relaxes his
face and just speaks honestly, he's okay. But he tends to contort
his face in this ugly grimace to show that he's feeling something,
and it's extremely off-putting. Where are the directors???
- I realized
watching this episode that Ron Carlivati had made conservative,
religious types the bad guys in Llanview. That suits me just fine,
but I wonder about other portions of the OLTL audience? Pretty
risky and bold, if you ask me. You have to give props to the man's
gumption.
- Thank you
writers, for letting Bo bring Drew's memory into the Matthew
situation. Now that Greg is having a meltdown, I'm having very
strong second thoughts about siding with Matthew in the surgery
debate.
- Markko and Fish
should become friends and bond over their family situations.
- Jack
blackmailing Blair was just genius. Jack Manning is the biggest
diva in Llanview! Watch out, Aunt Dorian!
- I was shocked
that the Fishes came back to say goodbye to Oliver. I must say, the
man playing Mr. Fish is an outstanding actor. Even though his
character is a jackass, having a great actor in the role helps so
much to not dismiss him out of hand. Mrs. Fish... not such a good
actor, but at least she brought emotional honesty to the table.
- When Oliver
went to hug Mr. Fish, his homophobic repulsion of his own son was
shattering and heartbreaking.
Today was the
first time I saw that making David into Bo's son might have been a
great idea. I've hated it from day one, but the scenes today
between Tuc Watkins and Bob Woods were utter magic. Bob Woods is
turning into my favorite actor on the show lately. He has such a
rich emotional connection to all of his scene partners, male or
female. His scenes with David, Matthew, and Rex are so tender and
loving, yet filled with colors of exasperation and humor. And Tuc
Watkins is just as brilliant as ever. If Carlivati keeps writing Bo
and David like he did today, I'm 100% in.
- David: "You
try to be a good dad. Sometimes you're very bad at it." Hah, hah.
Okay, this is
where I'm supposed to congratulate Mr. Rivera for showing up on Markko's doorstep to invite him to dinner. But it's hard to feel
happy for the man's change of heart when it seems to me he is only
trying to save his marriage.
- Why the hell
did they bother making Brian Kerwin come to work today? He just
stood there while Viki talked to people, and had like one line. I
don't get why they under use him so badly. Do you?
- This was a
very, very good episode that perfectly matched it's title and
brought emotional depth and honesty into play.
Thursday,
9/24: "RATED EX"
- That title
means John and Natalie, and my barf button is already about to be
pressed.
- Well how about
this - Jared and Charlie scenes. What a novel concept. Too little,
too late.
- Oh, oh, oh.
I'm hesitant to say what I'm really thinking after seeing today's
scenes between Dorian and Ross. First of all, Robin Strasser is in
amazing form and not only acting her pants off as usual, but looking
mighty sexy. Half-naked Ross seems to titillate Dorian more than I
would have thought, and I am seeing some MAJOR sparks, folks. Now I
think Ross/Blair has a lot of potential, but Dorian and Ross almost
set the cabana on fire without even trying. The way Dorian slid her
hand up Ross' leg while threatening him at the same time was really
hot.
- How in the
world does Cole get to live in a huge apartment like that when he
barely made it out of high school and barely managed to avoid
prison? Talk about spoiled!
- Marty was obviously a little jealous when she heard about Todd
marrying Tea. Poor Marty.
- I can't believe
Blair is flat-out lying to Starr about her intentions where the
wedding is concerned. She's only going to be caught in the lie in a
few hours, and she's setting herself up for her daughter to think
badly of her. What a crappy mom.
- The idea for
Dorian to pay off Ross to seduce Blair is GENIUS! Classic soap, and
classic Dorian!
- I hate when a
character (Tea) tries to tell a secret and the other person (Todd)
won't listen. That's such a lame writing trick. And why would Todd
refuse to hear her secret?
- Dorian: "She
usually goes for your type - feral and felonious." Great line.
- John is being
such an asshole. If he is suspicious of Jared, why must he bring it
up to Natalie and mess with her mind? He is trying to cause trouble
instead of just doing his damn job.
Friday, Sept.
25: "THE WEDDING STINGER"
- The
Dorian/David scenes were glorious. Dorian kept snapping in his face
every time she needed a question answered! "Three ways to destroy Viki - go!" And David's long-standing belief that he could bed Viki
despite her constant rejections of him is truly hilarious.
- Why does Jack
have to wear a tux to the wedding when Todd is wearing a freakin'
t-shirt? What the hell is that, costume department? Don't you
think Tea would nix that awful idea? Yeah, she would.
- John keeps
liquor in his desk at work!?!? I love it!
- Okay, there
were THREE flashbacks from yesterday's episode in the first ten
minutes today. There is no excuse for that.
- You could see
from Erika Slezak's sublime acting that Viki knows Tea is lying
about having come clean with Todd.
- I think Slezak
looks so luminously beautiful lately, and I think she should
actually continue to grow her hair out. I know that seems odd since
it's always been short, but I just have a feeling it would be really
interesting.
- If David is so
concerned with having an endless supply of liquor at his disposal,
how come he is never drunk?
- I don't want to
say anything offensive about a child, but seriously - what is wrong
with Sam? He scares me. Is it because Margaret Cochran was his
mother? The kid seems possessed.
- Carmen LoPorto
needs an Emmy - stat! The kid can out act the entire Evans family
put together!
- Here's me being
fair: I loved the Fish/John scenes. Fish stinks with Kyle and in
the high drama category. John stinks with Marty and Natalie and any
romantic situation, really, but works fine in the police stories and
with his buddies. Fish and John could have a nice friendship and
solve cases together (and apparently, get drunk at work). It's too
bad John's not gay, because Fish and John have more chemistry than
Fish/Kyle or John/females.
- Does Layla have
a job? No. Does Cris? Not really. So... does Fish pay their
rent?
- Viki: "What do
you like about Tea?" Jack" "Well... she's cool. She likes pro
wrestling. Oh - and she wears black panties." Oh. My. God. I
almost fell out of my chair. OLTL is the funniest show on
television, I swear.
- Along the same
lines, when David starting to snore, "boooooooooring...." while
Dorian described the Blair/Ross situation, I guffawed.
- Also, David
once again pronouncing Adriana's name as "Aye-dree-aye-nah." Oh,
how I missed that.
- Melissa Archer
is playing like Natalie knows deep down something is wrong with
Jared. Why doesn't she ask him?
- David eating
that sandwich as big as his head and also licking his arm in the
background - LOL!
- Great "will
they or won't they" cliffhanger!
**MAIL
REPORT**
"I was shocked when Dr. Greg FREAAAKED out about Shaun. I mean, he's
supposed to be this super arrogant, control freak, brilliant
surgeon, right? Yet he crumbled like the proverbial cookie, and I
mean CRUMBLED! That acting stunk! It was really funny. I kept
waiting for him to fall to the floor, shake his fist at the sky and
scream "WHHYYYYYYYYYYY????" - Maya
I blame the
actor but also the directors. They let him be that over the top. And
Maya is right - Greg would not be this overtly hyperemotional. Where
is the control freak he is written as? It's just all kinds of
wrong. At this point, I am predicting a whirlwind romance for Greg
and Rachel which takes them out of town in less than a year.
"Can someone
please slap Greg Evans? Are the writers saying he's never had this
happen to him before? If this is how he reacts to one surgery gone
bad then I'd hate to see him to actually losing someone on the
table. Maybe him not doing the surgery on Matthew is a good thing
and they can bring in someone else." - Nic
Ya think? I
wouldn't be letting Tornado Tillford - er, I mean, Dr. Evans -
anywhere near my brain! Even though I could use some brain surgery
since watching the Stacy and Kim scenes has caused me permanent
brain damage!
"Thanks for the
great blog this week. I don't always see things your way, but you
are spot on this week with Dr. Greg's "Schmacting 101". But you are
right that he is committed. And Destiny totally moved beyond line
reading and did some genuine acting. I am a huge Brody/Jessica fan
and I know you've complained that they have been generic and boring
as of late. You are so right that the post-impaling ER scene is
exactly what soaps should be - raw human emotion between characters
who love each other and aren't lying, cheating, pretending to be
someone else, etc. I hope TPTB don't send them into happy couple
oblivion, or turn Brody into the too-perfect transition boyfriend
who gets killed off or dumped to make way for someone more
interesting. Here's hoping the stalker/Mitch storyline will give
these crazy kids a good jolt of drama! They should be OLTL's super
couple, and maybe in the process Jared and Natalie will get
interesting again." - Tessa
It looks like
Jared and Natalie ARE getting interesting again - if you consider
the show firing Jared Brotherton interesting. All it does for me is
signal the Great Red Warning Flag that reads: Not Jolie Again!!!
"I like Kyle with
Nick. I'm just hoping they keep Nick. I have to say I was a little
surprised that they went for that kiss. I am going to hate it when
TPTB put Fish in there. They need to have him deal with how the cops
are going to act and leave poor Kyle alone." - Larry
I like Kyle and
Fish as friends. But if TPTB wanted us to be rooting for them
to be romantic together, why on earth did create Nick? Nick isn't
some fly-by-night gay floozy seeking to make Fish jealous. He's a
genuine guy with real feelings for Kyle. And I'm sorry but Nick and
Kyle together are hot. Kyle and Fish? Not. I agree that Fish plays
very well into the cop stories but I just have no desire to see him
in a serious romance. Kyle is a serious romantic type who needs a
deep love story. Fish is quirkily and comedic but for me, that's
all he is. I'm all about Kick!
"Enjoyed reading
your column today. I know you are excited about Mitch Laurence's
return. I think he's been raised from the dead enough times. I would
have liked to see Peter Manning as Rex's father. This would have
given Todd the chance to face his abuser as an adult. Maybe he would
have been able to rid himself of some of those demons that haunt
him. Making Rex and Todd brothers (maybe Schuyler would be another
brother) would have had Rex wondering about his actions when he lied
to Todd about his son being dead. To be honest, Rex is currently
being written as an escapee from The Village of Idiots and I
sometimes feel he needs to be sent back home. The Stacy storyline is
vomit inducing and made worse by the actress. If they are going to
stuff this S/L down our throats they should at least do a recast. I
too like Nick and Kyle (Kick) more than Kyle and Fish (Kish). There
is more chemistry there and I'd like them to remain a couple. Maybe
they should give Fish and John a try, since John can't seem to
commit to any woman." - Starlett
I wrote about
Peter Manning being Rex's dad a long time ago. I absolutely agree
with Starlett that Peter Manning would have been the best storyline
option, bar none. The character of Rex needs saving - big time. Rex
would have been related to Todd (Todd father is Victor but Peter was
his uncle), and it would have been a great storyline for Trevor St.
John as well. Todd could have faced his childhood perhaps with Marty
as his therapist. And if they got a great actor to play Peter, they
could have used the character across the canvas. I also think
Spencer would have been a decent option, especially since it would
have gotten Lindsay out of jail. I'm a bit torn about Mitch. I see
huge potential in the storyline. And Ron Carlivati wanted to do this
story almost two years ago, so I think he'll put a lot of passion
into it. I think it will be great. But I could also see it
failing. When I look at the returns of Carlo Hesser and Tina Lord
last year, I worry. Mitch and Allison are two of my favorite bad
guys in the show's history, so I have high standards.
As for Fish and John, I think they are soul mates. John is the
gayest character in soap opera history, and he has more chemistry
with Fish than he does with Marty or Natalie - that's for damn
sure. I wouldn't be keen on watching any Fish/John love scenes, but
then again, I have no interest in watching either character in a
love story. They both work outside of love stories well, and that's
why they'd make the perfect couple. Their love life could take place
mostly off-screen while they become the gay crime fighters of
Llanview.
"I have a question
for you. Soaps are in trouble, the audience has eroded. The Marty/
Todd reveal was the best rated OLTL show in 2008 not to mention
almost caught B&B. OLTL during the story won its time slot on a
weekly basis. The shows know which stories are working and those
that are not (as provided by Nielsen). Why would you back burner
your strongest actress (Haskell) that can actually draw an audience
and put your strongest actor (St.John) in a retread of one of your
less successful stories? Why are you focusing on younger cast
members who cannot act? Why are you not writing stories just because
your last one that you wrote stirred up controversy? Do they want to
keep this show on the air? Days of Our Lives, a show which I do not
particularly enjoy, managed to get rid of its dead weight and now
leads the time slot. Why is the focus on OLTL on a character that
hardly says a word? Cut your losses with John McBain/Natalie/Jared
already. I am sorry, I am just so bored with the show right now." -
Stacey
Don't get me
started on Todd/Marty. Oops, too late! That was by far (by WAY far)
Ron Carlivati's best storyline so far. Nothing else he's done comes
close, though Viki/Charlie is up there (but look at them now -
Charlie is nothing more than Viki's shadow). The show's axing of the
Todd/Marty storyline wreaked of creative bankruptcy and corporate
overloading of story. I feel so badly for Susan Haskell. They used
her amazing talents for six months, then destroyed the character of
Marty when they had her cheer Todd on to attempted suicide. By the
time she got her memory back, she was in storyline limbo. Then TPTB
mysteriously forced Haskell to play a sexually frigid Marty who was
still hung up on Todd, only to have it resolved with one puny hour
of therapy. Let me be clear: Ron does not know how to write for
Marty. He knew how to use Marty so long as she had amnesia. But now
she's in this character hell of having scenes with Brandon Buddy and
Michael Easton, neither of whom has sufficient chemistry with
her. It actually makes me uncomfortable to watch what they've done
to Marty and Haskell. Then again, I never liked Marty much in the
first place. The rapemance was the most I ever liked her,
actually. But Haskell's talent is unequaled and TPTB screwed her
over. Frankly, if it wasn't for her being our best hope of avoiding
another round of Jolie, I'd say there is really no point to Marty
being on the show anymore.
"Did you catch
Marty's reaction to Tea and Todd's wedding? Did you also get the
sense that she was the teensiest bit hurt by it? I love that Susan
Haskell let us know with her face and body language that Marty's
feelings for Todd are as complex and conflicted as ever." -
Krista
Marty has more
chemistry with the thought of Todd than she does with John when he's
in her arms. I love Todd/Tea, but I grieve for Todd/Marty every
day.
That's it for
this week. Please send your OLTL thoughts, complaints,
suggestions, and desperate pleas to:
Robert Iger,
President of Disney (ABC Parent Company)
robert.a.iger@disney.com
Anne Sweeney,
President of Disney-ABC anne.x.sweeney@abc.com
Brian Frons,
ABC Daytime President 500 S. Buena
Vista St. Burbank, CA
91521-4551 Brian.Frons@abc.com
Frank
Valentini (Executive Producer) C/O One Life
to Live ABC Daytime 77 West 66th
Street New York, NY
10023 frank.valentini@abc.com
Ron Carlivati
(Head Writer) C/O One Life
to Live ABC Daytime 77 West 66th
Street New York, NY
10023 rcarlivati@yahoo.com
ABC Comment
Line: 323-671-4583
OLTL Viewer
Comment Line: 212-456-3338
ABC Daytime
Feedback Line: 212-456-7777
Thanks for
reading, and don't forget to e-mail me. PLEASE include your name or
an alias in case I choose to print your comments!
Until next time - don't forget to feel the Craze!
Jeremy in Chicago
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JeremyInChicago@soaptownusa.com
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