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UPDATED 8-25-09
CRAZE
In Focus: The Emmy's

How to save an ailing awards show.

My Emmy
thoughts regarding the results and production will be inserted at
the last minute before this column goes up. I'm writing the rest of
this column before the Emmy's since I won't get to watch them until
quite late Sunday night. The truth is, I didn't watch the Emmy's
last year because of how disgusted I have been with the nomination
and judging process. I just don't value the Emmy's whatsoever.
Changes to the voting process in recent years, compounded by
atrocious production from all three major networks, has left the
Emmy's a flat-out joke. The reason I am watching this year is
precisely because it's airing on the CW, and because I'm curious to
see if Susan Haskell or Bree Williamson can get OLTL its first
acting win in years. And, I suppose, I'm tuning in out of support
for the industry which at this time is in more peril than ever
before. Additionally, I'm sure there will be some intense and
interesting energy in the crowd considering the cancellation of
Guiding Light and impending reshuffling of ABC's bicoastal studios.
I don't expect
that this year's Emmy's will have greatly improved my view of the
awards. I secretly hold out hope that it will, but my powers of
reason and logic predict otherwise. Regardless of how they turn out
this year, I want to make a case for the daytime actors who - while
professing to not take the Emmy's seriously anyway - deserve a
better process by which to represent their hard work. I don't want
to get into the Best Show, Direction, and Writing categories, but I
do want to advocate for the acting categories. There are two
massively important changes that need to be made. First, the
pre-nomination process needs to be eliminated. It has turned out to
be a most egregious change to the system. Secondly, the submission
guidelines for actors needs to change.
The
pre-nomination process sucks. Not only does it encourage
backstage
politics
and campaigning, at the peril of some actors (what does being
popular at work have to do with brilliant acting?), but it wrongly
suggests that each show has the same level and amount of talent per
year in each acting category. That is absurd! In any given year, a
show (depending on its storylines and talent roster) may have
anywhere from zero to five or so eligible and deserving actors in
any category. It's quite likely, for instance, that at least one
show would have no one in the Younger Actor/Actress categories that
deserved a nomination. Younger actors don't always get major
storylines. Why should every show HAVE to submit two actors in each
Younger category if there was no one truly deserving of it? I think
the Younger Categories may be entirely unnecessary, but that's
another battle for another day. I don't think too many veteran
actors who've been pushed into the Supporting Categories due to
ageism would appreci ate going up against twelve year olds. All I'm
saying is why do twelve year olds have to be eligible for acting
awards unless they are good enough to compete with the adults?
It seems to me that the Younger Categories are silly.
But back to
the pre-noms. One need go no further than One Life to Live's
pre-nominations this year in the Leading Actor category to see that
the process is flawed, if not corrupt. Bob Woods, who is a stellar
actor when being anecdotal or embroiled in storyline, was the first
of this year's Leading Actor pre-noms despite the fact that he had
no leading man storyline in 2008. He didn't even have a supporting
actor storyline unless you count the 1968 time travel debacle. He
did not deserve a nomination (or pre-nomination, as it were) since
he could not possibly have put together a competitive reel. Then we
have Michael Easton. Easton's storyline was John's loooooong,
sloooooow, drawn-out realization that Marty was still alive and that
Todd was holding her captive. Then he crashed through a window. I
mean, seriously. The notion that Easton could have been nominated
for Leading Actor against people like Tony Geary and Christian
LeBlanc is absurd. Strike that, it's laughable. No... it's
outrageous! But OLTL had to pre-nominate two leading actors, so
Woods and Easton were the best they could come up with to represent
the show in 2008. Right?
WRONG. Excuse me, but Trevor St. John deserved an Emmy nomination
this year. Everyone with a brain and two eyes knows that. There is
no doubt in my mind that had St. John been pre-nominated by his cast
and crew, he would have received a nomination. I'm not sure he
would have won because of the one-episode submission rule which I
will dissect momentarily. But he surely could have competed. Easton and Woods could NOT have competed this year. So why wasn't
St. John given the pre-nomination when Haskell was? Their work in
2008 was irrevocably connected. Haskell and St. John were THE stars
of OLTL in 2008. Whether you loved or hated the Rapemance, there is
no doubting the brilliant - no, genius - acting that spewed
forth from both Haskell and St. John. For whatever reason, the
other actors and crew at OLTL decided as a group that they did not
want St. John to get nominated. Either that, or people were just
voting for their friends and St. John doesn't appear on their "close
friend" list. Truly, there is no other explanation. The people at
OLTL, including the cast, responsible for the pre-nominations should
be ashamed of themselves for denying St. John the Emmy nomination he
so obviously deserved. And the Emmy process is to blame for
instituting such an unfair, Lord of the Flies pre-nomination
scenario. Shame on all.
Then again, if we give the OLTL cast and crew the benefit of the
doubt, it's entirely possible to imagine that they simply don't have
time to watch the very show they earn a living wage working on. We
know many actors don't watch it for various reasons (so they
claim!). If an actor does not even watch the show on a regular
basis, why exactly are they being allowed to have a vote in the
pre-nomination process? Isn't that turning a supposedly prestigious
award into Prom King and Queen? Even if the actors who are voting
do watch their show religiously, how on earth are they
expected to be unbiased when they voice their opinion on which of
their peers should be recognized? How many actors do you think take
this responsibility seriously and do so unselfishly? Why should
they? Simply put, actors have no business voting en masse in the
Emmy process. Period, end of story.
One
solution: Every actor should be allowed to
submit himself or herself for an Emmy each and every year they feel
proud of their work. I'm well aware this open-door policy would
undoubtedly result in some actors trying every year for a nomination even if they don't have the
material to compete. But they should have the right. A panel of
experts would then watch the submission reels and go through a
nominating process. That process could be a process of elimination,
a widespread vote, or a voucher system (each judge watches 'x'
amounts of acting reels and vouches for the ones he/she thinks
should move forward to compete as nominees). Whatever that system
consisted of, it would result in the nominations. It would have
nothing to do with rationed nominations per show. If one show had a
particularly amazing year, then they could and should dominate the
nominations. If the strongest five Leading Actress tapes were all
from one show, then so be it.
As for the reels themselves, it is time to overturn this absurd
one-episode rule. Right now the actors can only submit one episode
from the whole year. This does a few bad things. First, it
severely limits the actors. Take Susan Haskell. She submitted her
strongest episode, which was when John crashed through the window
and she found out she had a son and Todd was her rapist. Probably a
wise choice. But imagine how much stronger her chance of winning
would be if she could have submitted a second episode (two episodes
was the standard submission for years), perhaps when she took the
abortion pill on the floor at the hospital, or perhaps the episode
when she made love to Todd. As an Emmy judge, watching Marty's
horror at finding out Todd raped her would be much more powerful had
I already seen Todd and Marty making love. One tape is not enough
to represent oneself.
But two tapes
isn't great either. The actors need to be allowed to create an
acting reel of their best moments from the entire year. There
should be a minimum and maximum length to the reel. The actor will
have to choose what to include. Someone like Ilene Kristen could
put together Roxy's funniest moments with her most dramatic, tear-jerking
scenes. Bree Williamson could have showcased all of her character's
alter personalities, and included some of those scenes inside of her
brain where Tess was kept in a cage. Someone like Robin Strasser
would be an Emmy contender every year, even when Dorian's storyline
is non-existent. Since she gets so much screen time and does so
much with her screen time, she'd have a fighting chance every
year. That is of course, IF she chose to submit herself. Hopefully
the actors would use discretion and judgment when deciding whether
or not to submit themselves. Making a reel would be time consuming
and something for them to be proud of.
The judging
panel is another story all together. The soap press is the most
logical choice for who should be judging the Emmy nominees.
However, there is no reason acting experts from outside the industry
could not sit on the judging panels. Especially if the actors are
submitting reels, there is no need for judges to be from within the
soap industry. With only one disembodied episode on hand, how is
any acting judge supposed to follow the storyline and experience the
full impact of the acting? Soap storylines are so outrageous that
most one-episode acting submissions will not be impressive. If an
actor submits a story arc rather than just one moment of storyline,
their work can be experienced more fully and judged more
effectively. In the meantime, we are seeing Bob Guza write
stand-alone episodes for Tony Geary where he can play ten characters
in a non-storyline dependent hour just to ensure a nomination. And
think of the pressure on TPTB then in a storyline beat such as Viki
tricking Jessica to come out and remember her baby died. The
writers had to make sure all the best moments fell within just one
episode so that Erika Slezak and Bree Williamson have better chances
at getting nominated next year (which they both deserve). The
negative and degrading influence of the current Emmy pre-nomination
and submission process needs to be replaced.
Last-minute
Emmy review...
The
Emmy telecast was atrocious. As per usual, the first two or three
acting categories are allowed acting clips, while the most important
(Lead) categories were censored. It's not the actors' faults the
networks can't time out their corny routines properly. Actor
clips should not be an elective; they should be the highlight
of the night, next to acceptance speeches. Shame, shame, shame! Who
cares that Susan Haskell won? Someone who doesn't watch our show
needs a highlight clip to become introduced to the actor/actress,
while those of us who know their work want to see the clip
representing them. No clips = bad show!
Other Emmy
thoughts: Susan Lucci looked HOT. As if she lost ten years rather
than ten pounds. The OLTL cast was shoved back into a corner. How
insulting. Kristen Alderson looks 35 years old. What have they
done to her? Also it was cruel to have Brandon Buddy present the
Younger Actor category when he should have been nominated (if the
Emmy used my submission outline, Buddy would have gotten a nod this
year). Allowing Vanessa Williams to sing like ten songs when acting
clips weren't shown for the leading actors is simply inexcusable.
The ONLY good part of the telecast was the Guiding Light tribute. The emotion there is just devastating. I couldn't help but think,
when the entire cast filled the stage, that most of their careers
are now over.
Bree Williamson
- Congrats to
Susan Haskell - surprised she didn't thank Trevor St. John, but the
awards were so rushed I'm surprised she was even able to thank her
husband.
Late-breaking
as column goes to press...
Dan Gauthier
and Kathy Brier are returning for brief stints this fall. Brier's
return will most likely be anecdotal, to check in with Gigi or
something. But Gauthier's return is big news. One can only assume
that the announcement of this return signals the coming announcement
of Gina Tognoni's return as Kelly Cramer Buchanan. But Gauthier's
return being "brief" hints at a Kevin-Kelly break up. Regardless,
it's time to start writing NOW that you want Gauthier to stick
around as Kevin. That is, if you feel that way. I know I do. Gauthier can play into many stories as Kevin has history with Blair,
Tea, Marty, Rachel, and pretty much all core characters. Kevin is a
big part of OLTL and should remain on canvas - period!
Monday, August
24: "Everybody Loves Rayburn"
- That was
Todd's one and only therapy session with Marty? Talk about a wasted
concept. Todd/Marty in therapy together should have been its own
storyline, not some convenient way to try to tie up their unfinished
story from last year.
- Oh my
goodness! Brian Kerwin has something to do and say other than just
functioning as Viki's echo!
- Schuyler is
turning into a drama queen. I like him, but he keeps being so
upfront and honest in ways that are bound to cause complications in Gigi's life. I think it's admirable that a character is this
honest, especially in the Gigi/Rex/Stacy circle of liars.
- Schuyler is
so clearly testing Gigi's feelings by insisting he should leave
town. I am starting to like this guy more and more. He's kind of
going against the soap grain right now, which is good.
- Wow... I
was just getting impressed by him and then wham! Schuyler tells
Gigi the complete truth about his feelings for her. Seriously, how
often are soap characters this upfront and honest with their
feelings? I dig it.
- Stacy and
Kim are so unattractive. It's almost blinding.
- Todd to
Marty, regarding her head-shrinking skills: "That's very good - but
is this my therapy session or yours?" Hah.
- I do not
understand Charlie's enthusiasm about his new wife taking on a
full-time job and campaign war. That seems like the type of
situation Charlie would rather do without.
- Lovely work
by Trevor St. John when Todd told Marty he wants her to move on and
be happy. Although part of me will always remain a diehard Tarty
fan who is bitter about the way the writers abandoned their
storyline under pressure, I will admit that the end of the therapy
session left me more prepared to invest in Todd/Tea and to hopefully
feel less annoyed by Marty's flip-flopping attitude where Todd is
concerned. It's the closest I've felt to any closure here.
- Why
would Rex have to go to Tahiti with Blair? What is she paying him, a
million dollars? I don't like the Blair/Rex scenes. They're both
annoying right now and it seems like they're annoying one another,
too.
- Excooose
me, but can you imagine a woman with Viki's past running for mayor
of your city? A woman with several long-term bouts of D.I.D.,Todd
Manning for a brother, the Buchanan's as her family, an alcoholic
husband, a batshit crazy daughter, and the list goes on? A woman
who once burned down her own home? A woman who kept a prisoner in
her basement for months? A woman who attempted to murder her own
son? I'm not saying I can't overcome these far-fetched
circumstances for the sake of giving Erika Slezak a storyline, but
it is funny to think about!
- Get that
Pirates of the Caribbean lunch box out of my sight!
- Don't you
love how Blair up and flies to Tahiti to go visit a man she has
criminal charges pending against, just as her daughter is about to
start her senior year of school while leaving her baby at home to be
cared for by... whom, exactly? Addie? Sven? Where is Sven,
anyway?
Tuesday, 8/25: "The Thin Line Between Love and Rage"
- Isn't it
frustrating that Tea isn't telling Todd the truth about her secret(s)
now? I know this is typical soap formula (unlikely couple finds
happiness only to be blown apart by a secret), but it would be so
refreshing for once to see a smart woman like Tea realize the
inevitability of her secret coming to light and taking control of
the situation. I don't like the way Tea is being portrayed as a
victim here, though thankfully Florencia Lozano is so damn good that
I'll take whatever they dish out because she makes it real.
- Props to
Dorian for getting angry with Blair for... well, for being an
emotionally stunted woman and a shitty mother. Dorian is right.
- I'm liking
Schuyler more and more with each passing day. He reminds me of a
more mature Rex before Rex became horribly stupid.
- Dang! Rex
and Gigi's fight today was pretty brutal. I wonder how much of the
realness of that is due to their real-life relationship? That fight
was more real-life than soapy, which is a good thing. I am on Team Gigi all the way on this one.
- I was
amazed that Layla found out the truth about Fish while preparing for
a yoga class at the gym. I liked the Layla/Nick scenes. They were
probably the best scenes ever filmed on that horrible gym set. But
what a weird, slightly
anticlimactic way for her to find out.
- You know
what a great story would be? If Dorian had Blair committed to St. Anne's to keep her away from Todd and Tea. Seriously. Then while
Blair is in St. Anne's, she could start to really lose her mind. Addie would try to help her and that could lead into the
long-neglected story about Blair's childhood and Addie's past. It
would be way better than what we are watching now.
- Speaking of
Blair, I hope Tea does something really awful to her after this. Like, REALLY awful. I have never hated Blair this much before.
- SHOCKED by
Todd's "I love you" to Tea. Shocked. In a good way, but shocked
nonetheless.
- Every time
Cris and Kyle are on screen together, it seems like true love.
- When Gigi
and Rex had make up sex after that fight, I got the distinct
impression that Gigi is going to wind up pregnant soon.
- Todd and
Tea blew me away today with the romance factor. That is not really
my cup of tea, but they brought it today. Maybe this is true love?
- How can
Schuyler not realize he's been drugged? He can barely move and he's
hallucinating. Hello?
Wednesday,
8/26: "Fish in a Barrel"
- Kim and
Stacy are on the show WAY TOO MUCH. I can't stand it.
- This
episode sucks. It really, really sucks. Langston looking for Markko.... zzzzzzzz. David and his stupid reality crew..... zzzzzzzzzzzzzz. Rex and Gigi being "romantic"...... zzzzzzzzzzzzzz. John and Fish talking about the mayor for an hour....... zzzzzzzzzzzzz. Kim and Stacy......... (holds hair back from toilet
rim). I don't care about anything happening today. No Todd/Tea, no Viki, no Nora/Bo, no Dorian. Zzzzzzzzzz.
- The reality
show gimmick is OVER. It was funny for a day but now it's lame.
- I question
the writers' decisions on how Layla found out the truth. First the
yoga scenes, now Layla and Cris outside while he's painting... it's
all very anticlimactic. There is a soapy, dramatic edge missing from
this reveal.
- There have
been so many scenes at the mansion lately without Nigel, and
certainly without Renee. I think that's just wrong.
- Umm... what
the hell were those atrocious scenes with Rachel and Greg playing
video games and trying to dance? Those were just embarrassing to
watch! What the hell were the writers and directors thinking? This
couple was going along just fine
but this was so forced and cheesy that it took away all of their
momentum. Rachel is a bland, boring character. Always has been, and
still is. Dumb stunts trying to make her look exciting only
highlight the fact that she's boring.
- STOP THE
PRESSES. Okay, one good thing happened on this episode, and that is
David Gregory's scorching hot scenes as Ford today. All I have to
say is, A STAR IS BORN. This came out of nowhere but it sure did
come. This guy is a keeper. And by the look on Langston's face -
which she's never had with Markko - I'd say her boyfriend better be
worried.
- Why do
people say they LIKE Kim? She is horrendous. What kind of friend
encourages their BFF to keep having unprotected sex with
strangers in hopes of covering up a miscarriage? Any friend
worth her salt would be trying to build up Stacy's self-esteem and
trying to get her to see that she should not be begging a man to
love her. It's just pathetic, and downright disturbing. People like Stacy and Kim should not exist.
- David: "Rachel - on the floor with your lover's brother!? Are you pulling
a Nora?"
- Aside from
the nearly pornographic (in a good way) scenes with Ford and
Langston, this episode was the worst episode of OLTL in months. I
would say it was a disaster.
Thursday,
8/27: "Leave the Bottle"
- How
delightful to get a whole episode of scenes with Viki and Charlie
reading and going through papers and such in their bed. Whenever
Viki and Charlie have scenes like this, I feel like I'm watching a
slice of real life, with real people. There's something comforting
about seeing Viki happy and active.
- Okay, so
the big Fish/Layla scenes. Sigh. I'm trying to be positive because
frankly, Tika Sumpter KILLED it today. She has proven herself
before but this went above and beyond. This is a perfect example of
why every actor/actress should be able to submit themselves for an
Emmy. There's no way Sumpter will be given a pre-nomination next
year (at least, it's doubtful). But she could have a shot at an
Emmy nomination with this episode.
- So that's
the good news. The bad news is that I'm just not feeling Scott
Evans' performance. It lacks emotional impact. There aren't enough
levels or choices being made in his acting. This is perhaps the
biggest moment in Fish's life, and I feel like Evans is not
communicating that. There is something passive and kind of flat
about him, even in the face of exposure and being ousted. Then,
toward the end of the scenes, he did the fake crying thing which is
my biggest acting pet peeve. "Crying" without tears is
unacceptable. If Fish doesn't feel like crying, he shouldn't cry.
Considering that through most of these scenes he was merely pouting,
the fake crying came off as VERY fake. Sumpter, on the other hand,
blew it out of the box even with a mediocre scene partner, which is
twice as difficult. Brava, Tika! But I'm sorry, I have no sympathy
for Fish. If a stronger actor were playing him, I'm sure I would.
- Oh my LORD
were those Cole/John scenes BOOOOOOOOOOOOOOORING. Like watching two
cardboard boxes sitting next to a dumpster.
- By the way,
why is it okay for Cole and John to talk for an hour outside where
anyone can see them, yet Cole isn't allowed to even talk to Marty on
the phone?
- Ooh I loved
Gigi being such a nasty bitch to those skanks, Kim and Stacy. If Gigi keeps this up, she's going to be my second favorite bitch in
town - next to Natalie of course. I can't count how many times Gigi
used the term "hookers" whilst describing Stacy and Kim, who she
only just met. She's right, too - Kim and Stacy ARE hookers, and
they dress and make themselves to look like hookers.
-
Props for
showing Viki taking her heart medications! See what I mean about Viki and Charlie being real people?
- I don't
think Viki running for mayor right now makes ANY sense. But I'll
get over it because it means screen time for Viki, and a new chapter
in the Viki/Dorian saga. I can suspend disbelief for that. But
seriously, look at Viki's family and her own past and tell me she
should be running for mayor! I'd say Bo would be the wiser option.
- How can
Layla be screaming "You're gay!" at her own boyfriend without a) at
least asking if he's bisexual or b) bringing up sex with him? If Layla believes Fish is gay just because he was lying about Kyle,
then surely she would have something to say about how sex was with
him? If she was satisfied with their sex and he seemed to be as
well, then she should at least be voicing more confusion here rather
than self-righteous anger. Clearly, Fish is a liar, but once again
we see a storyline obsessed with labeling people. "You're gay!"
being screamed is not exactly what I would call progressive. The
saving grace of this storyline is Tika Sumpter.
- Can someone
please wake Michael Easton and Brandon Buddy the f*$# up? They are
SLEEPING in their scenes!!!
- When
Charlie calls Viki the "queen of Llanview," she brushes it off and
shakes her head. When Lowell calls Dorian the same thing, she says
"Thank you" so matter-of-factly, that it's clear she expect to be
recognized as such. This really epitomizes Viki and Dorian. Great
writing and fabulous little acting colors from Slezak and
Strasser.
- YES to
Dorian becoming Lowell's campaign manager instead of going back to
the hospital. This makes more sense and is vintage Dorian. In
fact, I smell a vintage Dorian/Viki story coming on and I'm really
looking forward to it!
- No one has
ever explained why Stacy hasn't gone to a sperm bank. Just sayin'.
- Did
Langston just sexually refer to herself as "the bucket?" Ewww.
- So
Carlivati IS going to steal my idea to have Stacy give the gays a
baby? Hmmm.
Friday, 8/28:
"Who Am I Anyway?"
- So, Fish
sleeps with a girl AGAIN, AFTER being outed? But oh no, he's not
bisexual - he's "gay." Whatever.
- Why isn't
Tea digging into Elijah's past? You have to fight fire with fire -
Tea should know that.
- Thank
goodness Viki is finally being told about the stalker situation. Jeez.
- Can Kyle
please stop yelling at Fish in public about his gayness? I really
like Brett Claywell, but whenever he is on screen with Scott Evans,
he screams at him. Can we have some acting levels, please? Enough
with the hoarse shouting.
- Here's what
it is: When Claywell is on screen talking ABOUT Fish to Roxy or
Cristian or Nick, Kyle is a believable, sensitive guy. Then when Claywell is on screen just with Evans, Kyle turns into someone
talking AT someone rather than WITH someone. There is no
chemistry. Zilch. I hate to say this, but you can tell Claywell is
not attracted to men. He's trying to hard. Kyle is coming at Fish
in a very macho way - a way in which a straight guy would approach
another guy. Maybe Claywell can pretend Evans is a girl? I don't
know, but something has to happen. Why haven't the directors helped
these guys out? They need help. The story would be working if
there was sizzle between Fish and Kyle. But there is no sizzle. I
see a straight guy shouting at a gay guy who is just kind of
passively sitting there like a lump. Seriously, that's what I see.
I guess I don't believe Kyle is gay. I don't believe Claywell is
attracted to men. I believe that his feelings are hurt but there is
something too forced and not real in this story. It could be fixed
with some direction and if Evans brought something more to the
table.
- Starr
bitching Dorian out about the mayor is the most interesting thing
Starr has done in years.
- Hmmmm. I'm
trying to be nice and patient but instead I'll be honest, okay? I
was NOT feeling Michael Lowry as Ross today. I think it is a total
and utter miscast. I remember Ross very well, and the character I
saw on screen today was not Ross. Lowry is way too clean-cut and
"nice guy" to be Ross. I also do not buy him at all as a surfer
dude. As for chemistry between Lowry and DePaivia? Nope, didn't
see any. Maybe they can develop some, but I have to question this
casting choice.
- Isn't it
funny that Brody has no idea who Dorian is? Funny because I
distinctly remember him dealing with her during the Adriana
storyline. She tried to pay him off, remember?
- I wish Todd
and Tea would move back into the penthouse! I miss the penthouse
set. And why would either one of them want to live where Todd and
Marty had their rapemance?
- How great
was it to see Viki and Charlie dropping by Dorian's just to put her
on notice? And we know who's side Starr will be on. See, this is
the kind of storyline Viki and Dorian have been waiting for.
- So why
can't Tea divorce Ross?
**MAIL
REPORT**
"It's kind of
funny that you did not like Kim saying (she) hated people in
recovery, but then later in your column you noted how boring people
in recovery can be when you wished that Schuyler and Rachel would
fall of the wagon. Jeremy, I think this is just an example of how
realistic OLTL really is. You must really surround yourself with
some geniuses in your life, because most of the people I've come in
contact with are kind of stupid, tend to follow the same bad
patterns/habits--especially in their love relationships, and are
much sleazier than Stacy and Kim." - Mariliyn
I do know a
few "geniuses," or individuals with genius IQ's, including my own
father. However, I've known some really dumb people too. I've even
known a few dumb people who I liked just fine because they were
caring and good-natured. But most dumb people are also ignorant. Many smart people are ignorant as well, but dumb people almost
always are. In Stacy and Kim's cases, they are incredibly stupid
and ignorant. Though they can be entertaining for that very reason,
it wears thin quickly. They have no business being characters on OLTL. The show is getting painful to watch, and they are a huge
reason for that. I am too smart to be entertained by imbeciles for
minutes on end.
"Can we, I
don't know, rewind to when Todd was on death row and Starr had,
what's that word? Ummmm... personality? What happened to her? I was
disgusted when I heard her say she wasn't going back to school. In
my mind I kept thinking Langston's going to mention tutors, right? She's going to bring up the idea of tutors and getting her GED,
right? I understand Starr wants to stay with her baby and not miss
a moment but she wants to stay with Hope because she feels close to
Cole? What? Excuse me? Can Langston please push her in the pool,
after she's taken Hope out of Starr's arms of course, and then start
yelling at her?... I don't want to talk about Blair, there was
moment I was hopeful they'd mature her and then no. I've lost hope
for her. Jessica, I stopped having hope a long time ago. As for
the stripper sisters, 'scuse while I vomit. They are just loathsome,
vacuous, trash." - Nic
Loathsome,
vacuous trash. I love that. If Stacy and Kim are on the show much
longer, TPTB should consider changing the name of the show to
Loathsome, Vacuous Trash.
"Thank you for
your passionate and insightful column. Have you noticed the strong
physical resemblance between the actor who plays drug dealer Asher
and Trevor St. John? What would you think of a storyline making
Asher the offspring of Todd and Tea?" - Louis
I haven't
noticed it, truthfully, but I think your idea is great! However, I
believe the child is a daughter and I don't think Asher will be
around for much longer...
"I read your
column from this past week, and I was totally on board with you
about the "Kish" storyline. I didn't get it. I didn't really care
about it. There were some interesting moments, but I don't know
Kyle or Fish, or even Layla for that matter. None of them have been
a significant part of the show or a significant part of a core
family. Even when Evangeline was on, Layla always seemed to be in
the shadows, not really making an impact on anyone or anything going
on in Llanview. So, just accepting this as a great contemporary
story just wasn't happening...until the 8/27 episode when Layla
confronted Fish. Tika Sumpter finally made me care about Layla. She was able to portray Layla's hurt, anger, and confusion through
her line delivery and her facial expressions. The tears were real. The emotion was real. Scott Evans also delivered one of his better
performances as he pleaded with Layla to give him a chance to prove
he can be the man she wants, that she thought he was, and that HE
wants to be. His confusion was evident. I have to agree with your
assessment that Fish is actually bi-sexual, and the scenes when he
was trying to get it through to Layla that he was in love with her,
I thought, proved that. I do think Fish is in love with Layla.
But, if the writers aren't going to go that route, then I will just
have to accept that Fish is a scared closet case trying to convince
himself that he's straight. Kudos to both for finally making me see
that this just might turn out to be that awesome story that
everyone's been gushing about!" - Leslie
I agree about
Sumpter. Evans left me kind of cold. I think Fish is in love with
the idea of Layla, but it's not real. I just don't really care
because I don't care about Fish. Never have. He is a
perfunctory character. Layla has always been so as well; only through her
slowly building friendship with Cristian has she come to the
forefront. Her relationship blunder with Fish was more of a
showcase for the actress than the character. After all, if you
think about how Layla was sleeping with her co-worker and roommate
who just happened to like men, it doesn't exactly speak highly of
her intuition. Layla's relationship with Cristian has been the
saving grace for herself and for Cris. Now the story will shift to
Fish/Kyle, and they better make it work because so far it's not
working.
"Your comment
about Fish being attracted to Cris just because he is gay, is not
true. Does that mean all heterosexual people are attracted to
persons of the opposite sex, all the time? No, it is not. Every man
I see, I do not want to jump his bones. Nor, does every woman a man
sees, he wants to have a sexual relation with. Sure you can
appreciate a good looking person, but that those not mean you want
to have sex with them."- Karen
Well, men are
a little different. They pretty much do want to have a sexual
relation with everyone they see. I'm exaggerating, of course, but
not by much. Humor aside, I wasn't trying to imply that a gay man
(like Fish apparently is now) is attracted to every guy in the
world. But Cris/David Fumero? I think at the least, there would be
a sideways glance from time to time, especially since they live
together and Cris only wears a shirt like 20% of the time. If you
lived with a Calvin Klein model, wouldn't you at least admire their
body from time to time if they were a member of a gender you're
attracted to? I'm just saying that in real life, Cris would be able
to tell Fish is gay just by living with him.
That's it for
this week. Please send your OLTL thoughts, complaints,
suggestions, and desperate pleas to:
Robert Iger,
President of Disney (ABC Parent Company)
robert.a.iger@disney.com
Anne Sweeney,
President of Disney-ABC anne.x.sweeney@abc.com
Brian Frons,
ABC Daytime President 500 S. Buena
Vista St. Burbank, CA
91521-4551 Brian.Frons@abc.com
Frank
Valentini (Executive Producer) C/O One Life
to Live ABC Daytime 77 West 66th
Street New York, NY
10023 frank.valentini@abc.com
Ron Carlivati
(Head Writer) C/O One Life
to Live ABC Daytime 77 West 66th
Street New York, NY
10023 rcarlivati@yahoo.com
ABC Comment
Line: 323-671-4583
OLTL Viewer
Comment Line: 212-456-3338
ABC Daytime
Feedback Line: 212-456-7777
Thanks for
reading, and don't forget to e-mail me. PLEASE include your name or
an alias in case I choose to print your comments!
Until next time - don't forget to feel the Craze!
Jeremy in Chicago
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JeremyInChicago@soaptownusa.com
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