The Daytime Emmy Pre-Nominations came out this week, and the annual
hoopla surrounding the generally ignored telecast has begun.
The Emmy's are a sort of gray area for me. On the bright side, I love
award shows and love that soap stars are recognized for their work. On
the downside, I have grown
immensely
cynical of the entire process and often vehemently disagree with the
judges' decisions. And with the apparent influences of cast politics
and network interests taking an increasingly active role in the
proceedings, my excitement about the event has waned significantly in
recent years. First and foremost, the pre-nomination process isn't
fair. It is perhaps more fair than the system that was in place before
it, but it's still a long way from being fair and square. In
essence... Who is to say that the talent or material in any given
category is spread out evenly amongst all of the soaps? What if there
are more than two actors from the same show worthy of being nominated
in the same category? Before the pre-nomination process was installed,
three actors from the same show (usually Young and the Restless or
General Hospital) would be nominated in the same category. But people
became suspicious that those shows somehow were gaining nominations
unfairly. Whispers of schemes among actors and producers got louder by
the year, and the role played by cast size in gaining nominations was
a constant concern. Yes, the pre-nomination system has corrected
certain concerns - but the results are still usually askew.
For example: This year Bree Williamson and Kassie DePaiva are
pre-nominated for Leading Actress. But who is to say that Lindsay
Hartley from Passions (just an example) turned in better work than
Robin Strasser or Erika Slezak? The concept doesn't seem right. The
other factor which has hindered my enjoyment of the Emmy's lately is
the abysmal quality with which the telecasts are produced and
executed. The past few Daytime Emmy telecasts have been abominations.
To correct this, the format of the evening must be returned to its
former glory. And I hear ABC is intent on doing just that. Last I
heard they were restoring the telecast to three hours and allowing the
time needed to have it done properly. Particularly, there will be
ample time for actor clips. By far my favorite part of the night, the
clips for the nominees are a way to see who your favorites are
competing against. This element has been missing for the past few
years. Not only is it disrespectful not to show a clip which
represents each nominee, but it is unfortunate for the viewers as it
woefully dulls down the contest. The Emmy clips allow us to see
glimpses of the shows we don't watch - which often pique our curiosity or elicit respect. Sometimes when you see the clip for a
nominee from a different show, you realize they deserve to win just as
much as the actor from your show. And it gives you an idea of what
that show is like and what kind of stories they have been doing. Most
of all, the clips allow us to be proud of those nominees whose work
we've already digested over the course of a year. I truly hope this
and the other deleted Emmy features are restored and treated with the
grandeur such a night should be basked in.
Now let's examine this year's pre-nominees from One Life to Live:

LEADING ACTRESS: BREE WILLIAMSON
I was shocked to see Bree's name in this category - at first. I
expected her to be a pre-nom, but either in Supporting or Younger.
Upon further examination though, I realized she definitely has a lead
role on the show this past year. And apparently she's advanced out of
the younger category. So it really is fair to put her in 'leading.'
Not even on her best day could she hold a candle to Erika Slezak or
Robin Strasser, but she did have better material than they did last
year. Her best day was the integration episode in the living room of
Llanfair where she had a complete breakdown. Her performance was
phenomenal as she switched from Tess to Jessica and back again. But
what other episode can she submit that will give her an edge over Emmy
stalwarts like Susan Flannery and Kim Zimmer? Nothing comes to mind.
CHANCE OF GETTING A NOMINATION: Slim. This category is thick with the
best talents on daytime television. But... that one integration
episode was truly great and the material extremely complicated. She
could surprise everybody. On the other hand, the judges might not be
able to follow her split-personality story arc.
LEADING ACTRESS: KASSIE DePAIVA
No surprise here. Even though I consider Viki and Dorian to be the
only true leading ladies of Llanview, that was hardly the case in
2006. Kassie DePaiva is a powerhouse actress and I'm sure she has
plenty of good clips from the year. But her storyline was so
repulsive, and her character rather unsympathetic. The writing was so
poor that it will most likely detract from her performances in front
of the Blue Ribbon Panel. Her best shot: Todd's Execution. CHANCE OF
GETTING A NOMINATION: Slim. She's great, but many other contenders had
better material.
PREDICTION FOR LEADING ACTRESS NOMINEES: Kristian Alfonso (DAYS),
Nancy Grahan (GH), Kim Zimmer (GL), Michelle Stafford (Y&R), and
either Crystal Chappell (GL), Martha Byrne (ATWT), or Susan Flannery
(B&B) PROBABLE WINNER: Alfonso.
LEADING ACTOR: MICHAEL EASTON
This pre-nomination is bothersome. It makes sense at first, as Easton
seems the only leading man around aside from Trevor St. John. But what
about Paul Satterfield? He was definitely a leading man in 2006.
Although he's churning out his best work in 2007, he would have a
better shot at a nomination than Easton for 2006. Oh well. So what
will Easton submit from last year? Definitely not any Jolie scenes. If
he is wise and wants any chance of a nomination, he will submit the
"closure" scenes with Evangeline. That was his best work, though
hardly anything that will impress the judges. And I wouldn't be
surprised if he submitted some scenes between himself and his father's
ghost. CHANCE OF GETTING A NOMINATION: Miniscule.
LEADING ACTOR: TREVOR ST. JOHN
Duh. This was his year and he has tapes that even Tony Geary might
envy. The biggest danger here is that the Blue Ribbon Panel might
think he is overacting, not knowing the character of Todd and how
volatile he is. To complement the execution scenes, he should submit
something more subdued. The best choice might be his goodbye scenes
with Starr and Blair, which would also create a clear storyline arc
for the judges. CHANCE OF GETTING A NOMINATION: Excellent. Especially
since Maurice Bernard is missing this year.
PREDICTION FOR LEADING ACTOR NOMINEES: Peter Reckell (DAYS), Tony
Geary (GH), Trevor St. John (OLTL), Peter Bergman (Y&R), Ron Raines
(GL) PROBABLE WINNER: Geary, but it will be a close call! St. John and
Reckell also have amazing tapes.
SUPPORTING ACTRESS: RENEE GOLDSBERRY
This category is always the tightest for One Life. There are usually
plenty of worthy contestants. This year, Hillary Smith could have
snuck in there with the work she did during Nora's recovery. Kathy
Brier had some decent material, and Ilene Kristen could put a reel
together even with her reduced screen time. But this year the two
selections are right on the money. Even though I hated Evangeline's
storyline most of the year, Goldsberry has a couple of tapes that
could rock the academy. First, Todd's Execution - just for the moment
Todd addressed her and she lost her cool. That moment was the spark
that set off the Tangeline movement, and for good reason. But the
strongest episode for her was when Evangeline broke down about John's
"death." That episode could definitely get her nominated. She may even
wish to pair it with the JoVan closure scenes, since that would create
a smooth storyline arc. Whatever she decides, this field is TIGHT.
CHANCE OF GETTING A NOMINATION: Fair
SUPPORTING ACTRESS: HEATHER TOM
As with Blair and Evangeline, most of Kelly's storyline in 2006 was
terrible. The only reason Heather Tom is in this category is because
of the drama surrounding Duke's death. And her work was indeed strong
enough to get this perennial Emmy favorite nominated once again. Her
two episodes would most likely be her break-up with Kevin/sex with
Duke, and Duke's funeral. Very strong stuff with a top-rate
two-episode arc. The judges love that. CHANCE OF GETTING A NOMINATION:
Fair to good.
PREDICTION FOR SUPPORTING ACTRESS NOMINEES: Lesli Kay (B&B), Genie
Francis (GH), Gina Tognoni (GL), and hopefully both of the OLTL girls,
although Alexa Havins (AMC) could pass one of them by. PROBABLE
WINNER: Francis will win in her first ever nomination. No one can
touch what she did in her brief return.
SUPPORTING ACTOR: DAN GAUTHIER
We all knew this was coming. From the moment Gauthier was fired, all I
could think was "Just wait until he gets that Emmy nomination! That'll
show Brian Frons where he can shove those fake focus groups!" Gauthier
actually had some very stinky crap to play most of the year. But with
the exact same episodes to submit as Heather Tom, he'll also bring
that coveted storyline arc the judges like to see. The better they
understand the storyline, the more they can appreciate the nuances of
the actor. That might be Gauthier's ticket to getting the last laugh.
He also had that amazing episode where he had to choose between Kelly
and Duke's lives. CHANCE OF GETTING A NOMINATION: Pretty good
SUPPORTING ACTOR: TUC WATKINS
As with Supporting Actress, alot of guys could have snuck into this
category. Particularly, Nathaniel Marston for the episode in which
Mike identified John's body. Bob Woods had his moments this year too,
as he always does. Jerry Ver Dorn is an Emmy favorite though he didn't
quite have the material in '06. But OLTL gave it up for Watkins,
another actor who, if nominated, would be representing a show he no
longer works for. It would be nice to see him recognized for his years
of raising everybody else's game and for being the witty, Gearyesque
improviser that he is. But did he have the material? His best chance
will be to pull an "Ilene Kristen" and go for the comedy. CHANCE OF
GETTING A NOMINATION: Not that great - unless the Blue Ribboners are
unfamiliar with his work and are charmed by him so much that they vote
for him.
PREDICTION FOR SUPPORTING ACTOR NOMINEES: Jeffrey Carlson (AMC),
Jordan Clarke (GL), Dan Gauthier (OLTL), Kristoff St. John (Y&R),
Trent Dawson (ATWT) or Tuc Watkins (OLTL). PROBABLE WINNER: This
category is WIDE open. I'd say Carlson is the front-runner but I will
be rooting all the way for Gauthier! Carlson will win an Emmy next
year.
YOUNGER ACTRESS: KRISTEN ALDERSON
Could this finally be the year Alderson's "Starr" rises with her first
Emmy nomination? She's long overdue, and this year was definitely her
strongest to date. She could submit the episode where she protested
outside of Todd's execution, as well as the episode in which Cole road
raged on her. Or she could choose her very mature performance
apologizing to her father's rape victim, or her goodbye scenes with
Todd. CHANCE OF GETTING A NOMINATION: Good
YOUNGER ACTRESS: MELISSA GALLO
Um, there really isn't anyone else that could go in this category. I
suppose Gallo will submit something with the stalker and then when she
"dumped" Dorian. CHANCE OF GETTING A NOMINATION: Poor.
PREDICTION FOR YOUNGER ACTRESS NOMINEES: Leven Ramblin (AMC), Julie
Berman (GH), Kristen Alderson (OLTL), Eden Reigel (AMC), Jennifer
Landon (ATWT), and Stephanie Gatschet (GL). PROBABLE WINNER: Berman.
This will be a Luke, Laura, and Lulu year! Too bad Greg Vaughn got a
nasty snub after doing the finest work of his career.
YOUNGER ACTOR: EDDIE ALDERSON
He's a great little actor, but I think he's still TOO little. CHANCE
OF GETTING A NOMINATION: Zilch.
YOUNGER ACTOR: JOHN-PAUL LAVOISIER
A truly great talent who had crappy material all year. CHANCE OF
GETTING A NOMINATION: Average.
PREDICTION FOR YOUNGER ACTOR NOMINEES: Van Hansis (ATWT), Jesse
Stoffer (ATWT), Tom Pelphrey (GL), Bryton McClure (Y&R), either
John-Paul Lavoisier (OLTL) or Scott Clifton (GH). PROBABLE WINNER:
Pelphrey.

-The Clint and Viki argument was really great. I started to see some
real chemistry between Erika Slezak and Jerry Ver Dorn. Finally they
are letting Slezak showcase her excellent comic skills. Clint is
starting to feel like someone that's been around for years rather than
a stranger (recast). Where is Dorian, though?
-
The Nash/Jessica scenes this week were drastically improved - they
were actually romantic! Up until now their scenes have been only about
lust. TPTB were wise to show Jessica's fantasy of cuddling with Nash.
Now it seems she is falling in love with him, not just horny for him.
- Could Pagie be acting any more suspiciously? She seems VERY
satisfied that Spencer is dead.
- Christina Chambers is improving.
- Bravo to Bob Woods. Bo really went OFF on Rex, and that was the most
passion I've seen from Woods in a long time.
- The whole Spencer murder mystery is off to a great start. Rex and
Michael each think the other one did it. John thinks Michael did it.
Natalie thinks John did it. Todd has an alibi but something is off
about it. Natalie tampered with evidence. Michael is keeping big
secrets from Marcie. It's all spiraling out of control in a most
interesting way. Right now the only people I'm truly suspicious of are
Addie and Paige. I also have been wondering if Margaret could still be
alive, or if her sister might have swung through town to have a word
with the man who faked Margaret's death.
- What is UP with Talia? I am really digging Beth Ann. And I like
Talia so far, but man oh man she is very shady. Is it just me or does
she seem like she has about a million secrets? Now either this woman
has an agenda, or Beth Ann is wisely infusing her scenes with some
mystery. Either way, this is one new character I want MORE of.
- The JoVan scenes were good. I'd like to see John and Evangeline
become close friends again.
- Why doesn't Evangeline just quit working for Nora? It's so obviously
not working for her and she's miserable.

"I always look forward to your column every week, but I have one
question for you. I keep hearing that John and Natalie will break up,
probably during Feb Sweeps. But now I hear that next week they end up
in bed together, and Dena Higley says that the Spencer murder
investigation is a John and Nat story. (Prominent Spoiler Artist) says
that John and Marty are coming to our screen very soon. I don't know
what to believe, and I DO NOT want to continue watching this show if
they keep John and Nat together. Are these just teasers they are
throwing at us to keep us watching or are they really going to break
up John and Nat? Do you know anything for sure? If you don't, when you
do, would you please post it? I just want to hear an actual spoiler
and not a rumor that they will break up I guess. I'm so sick of
watching them together." - Shan
First I'd like to clarify something: I am not a spoiler artist. I
have heard there are some very confused message board posters who
deride me for "not knowing what I'm talking about." The truth is, I
often don't! Even though I now have some pretty awesome sources, I am
not a spoilerist - and this column is an OPINION column, not a spoiler
column. I do not nor have I ever claimed otherwise. Those claims are
made only by the confused people I mentioned above. They are the ones,
I think, who don't know what they are talking about. Having said that,
I reserve the right to speculate on any subject I wish. I reserve the
right to read spoilers and incorporate them in my commentaries - and I
reserve the right to NOT read spoilers. Such was the case during the
Adriana's stalker storyline. Remember that piece of garbage story? I
actually had deluded myself into thinking the outcome would be
surprising and worth all of the hours I wasted watching it unfold. I
had read spumors early on that Dorian was responsible. But I didn't
accept it as fact and put out a column right before the reveal,
proposing that Rex or Adriana could be their own stalker. Then, after
it was revealed to be Dorian, I was bombarded with comments accusing
me of being a fake. These were from the same confused people mentioned
above. Not only were they confused, but also disproportionately fired
up about it. The fact is, I don't always know what's going to happen,
and I'm GLAD for that. However, I often do get spoileresque
information from a variety of sources, and it all kind of blurs
together sometimes. Some if it I intuitively believe to be true, some
of it I don't. And enough cannot be said about the nature of daytime
and how pieces of information which are genuine can also quickly
become false due to last-minute changes. Unless you are e-mailing with
Brian Frons himself, you don't know what's going on for sure. And that
includes every spoiler artist on the internet. Of which, I am not one!
So, now that I've made that disclaimer... Yes, John and Nat are having
sex and then going from "bad to worse". The sex is there, I'm afraid,
to cause a Natalie pregnancy. I truly hope that isn't the case,
because a Jolie baby would surely be a sign of the apocalypse.
Seriously... the world is ending if Jolie has a baby. Then again, not
all pregnancies on soaps result in babies. Another prominent rumor is
that Natalie is soon to leave town for a spell. Will she come back
after this break with a secret baby? Will she even end up pregnant? Or
is this Jolie's ceremonious last f--k and nothing more (God willing)?
These are the kinds of questions that are valid to ask at this time. I
don't think anyone is still deluded about Jolie working, and I know
Michael Easton didn't sign a new contract to keep this couple going
for much longer. But a Jolie pregnancy would certainly complicate alot
of people's lives.
"I like the pairing of John and Marty. But even more I like what it
will bring to the McBain character, in terms of his relationship with
a widow raising a son alone. Both John and Cole lost their fathers,
and Cole like John seems to have assumed the role of the man,
protecting his mom... I would like to see the dynamics of the
John/Cole relationship. Cole resenting John at first, feeling
threatened about another man in his mom's life. Then eventually
bonding, and each finding the healing they need. John being the father
to Cole, that his father's death robbed him of. The father he himself
was robbed of." - Dee
I suppose a John/Cole dynamic could make for interesting television.
Then again, it could be a crashing bore. Neither actor involved really
does much for me, so together they may do even less. But it's
certainly worth a shot, if for no other reason than because it's
fresh. John interacting with a mother and son would certainly be
something new and could provide alot of growth (not to mention
conflict) for John's character. It would also entangle him by default
with Todd and Blair, which is good. John's only hope of becoming a
good character is to escape his prison cell at the hotel and start
forming relationships with someone other than Natalie. Their
relationship is toxic and it's the only one he has outside of Michael
and his cop buddies. That needs to change.
"The John/Marty thing... I've been looking at from a different angle.
Let's start with Michael Easton. As a leading male, he is hot garbage.
Nobody likes his character. As a matter of fact, he is the most hated
male character besides Spencer on the show. They have to redeem this
man at some time. IF or when Jolie ends... he will be hated even more.
Do you see the writers redeeming John through interactions with Marty?
What I mean is that Marty is a messed up chick, but she is a
psychiatrist. Dr. Crosby didn't do squat in helping John rid himself
of his demons or issues. I'm thinking this is where Marty comes in.
I'm sure there will be some romance, but the main focus of the
John/Marty relationship will be 'therapy' for John to redeem his
character to the audience. This is something the show should have done
with Dr. Crosby, but they turned that into a complete joke. I'm
thinking they are... going back to John's redemption, with a guise of
romance with Marty. What do you think?" - Angie
Hmmm. Angie may be on to something here. On paper, John/Marty works
well. The idea of "John's Redemption" is kind of an abstract notion
for me, though. I honestly can't imagine John McBain ever being
interesting or exciting to watch. Do you really think his "redemption"
will make him more exciting? If anything, it might cause him to become
even more dull. On the one hand, Marty could help John mature and
start acting like an adult who doesn't hate women. But on the other
hand, Marty and John together might be the most boring and unwatchable
couple since... Jolie. I really don't know what to suggest to make
John more interesting. Perhaps there isn't a way. But I suppose it's
worth a shot to let John grow up - and I could definitely see Marty
forcing him to do just that. Throw a step-son into the mix and John
might be forced to deal with alot of "grown up" issues he's avoided
his entire life. The main problem for me is that I don't believe John
is capable of love. I didn't see love with Natalie, I didn't see love
with Evangeline (though at least John seems to LIKE her!), and I can't
really picture seeing him love Marty. I've never seen him NEED
someone. So for my money, any John McBain romance is a dull prospect.
I would love to be proven wrong.
"Kassie De Paiva has been more outspoken than Trevor St. John over the
years, and has said many of the same things, like that Todd and Blair
needed an overhaul, how the Asa house story was bad. She talked up
Spencer and Blair calling it 'romantic', she has talked about John
McBain.
This week on her own message board she clearly states she doesn't see
Todd and Blair back together right now and how Blair needs a
relationship that isn't abusive (huh?) and how Blair needs to move on
and laugh with a new man. DePaiva has gone much beyond what St. John
has said. And good for her - she is allowed her opinion." - Mary
You just had to go and remind me about that dreadful storyline about
Asa's house! Gosh, was that painful. I had literally buried that
memory. Anyway, you are right about DePaiva. She is fairly outspoken.
But the manner in which she is outspoken is generally more polite and
politically correct than say, Trevor St. John or Robin Strasser. When
commenting on the show, she seems to state her opinions as though they
were from the viewpoint of a fan rather than a star. She "can't see"
Todd and Blair together again so soon, as if to suggest that it simply
doesn't make sense. Which it doesn't! So she is merely stating the
obvious, and doing so dispassionately. She has often stated that she'd
like to work with Michael Easton, but not in a way that is demanding
or bossy. If she is in fact campaigning for certain storylines (which
she probably is), then she is doing so in the classiest and least
offensive way possible. Unfortunately that approach may also be less
fruitful; it's hard to say. But if I were TPTB, I would take DePaiva's
opinions about Blair very seriously. In fact, DePaiva should have
storyline input for Blair. She has played her for over a decade and
knows the character inside and out. She's maintained Blair's essence
through several writing and production regimes as well as numerous
inconsistent and debasing storylines - without losing her footing. If
she and Trevor St. John both want to see Todd and Blair torn apart for
awhile, then they are probably on to something (or else they are just
sick of working together!). As I've said before, the most interesting
Todd and Blair storyline possible is to see them let go of each other.
That storyline has never been done before. Then let's see them exist a
co-parents and form a brand new friendship with one another.
"I totally agree with your comments about Rex. This character has been
destroyed for two idiotic reasons: 1) to give Adriana a storyline and
an understanding actor to play off of. What a nightmare this turned
into! I’ve only thought that maybe ONCE in the entire time span this
character (Adriana) was created, that she was worth watching. Why
wasn’t she killed off instead of Duke? And 2) to help out Marcy &
Michael keep a child that doesn’t belong to them. I’m not buying this
'the best for Tommy' motive from Rex. I actually liked his character
when he was a bad boy. Now, he’s as pathetic to watch as Adriana." -
Janice
Yeah, I hate to admit it but Rex is kind of boring these days. That
would have been hard to imagine a couple of years ago. Rex was a
well-defined bad boy. Even when he loved, he retained his badness. His
love for Jen Rappaport was much more believable and intense than that
for his current paramour, Adriana. But that was tarnished when TPTB
moved him on to Adriana much too soon after Jen's death. What would
have made sense after that would have been for Rex to turn once again
to Lindsay, if only to retain some kind of closeness to Jen. Lindsay
would probably want to be with Rex too, for the same reason (though no
doubt she'd be wracked with guilt over it). But the Rex/Lindsay bond
was dropped like a hot potato, probably because Brian Frons noticed
that Catherine Hickland had a new eye wrinkle and thought it would be
best to get her dropped to recurring and shoved to the far back
burner. Instead, he gave us Rexiana - a couple so boring that they
caused more yawns than Jolie and Crave combined (at least those
couples are so bad that it makes you laugh, whereas Rexiana just puts
you to sleep). As for Adriana, she is one of the dullest characters on
the show. Which is such a shame. To give Dorian a "new" daughter was
an inspired idea. To make her a sweet little convent girl was ironic
and interesting - at first. But to follow that twist with years of
whining and peachiness was unforgivable. THIS is the daughter of
Dorian Lord? What's the point? Shouldn't Dorian have a daughter filled
with as much hellfire as she had at that age? Now they've tried to
turn Adriana into this naughty little brat wearing Prada and Gucci and
starting instant underwear companies. Puh-lease! Adriana should have
turned into a full-scale bitch by now, feuding with Jessica and
scheming to ruin Natalie's life. What better way to carry on the
Dorian/Viki tradition than by having their children at war with each
other? But Adriana hardly even interacts with Jessica and Natalie. And
when she does, it's all kiss-kiss. It's very lame. Adriana's recent
"attitude adjustment" was so slight that it had no effect in the end.
Melissa Gallo is beautiful and really does look like Robin Strasser's
daughter, and she seems to relish the times when Adriana is allowed to
be a diva. But otherwise she just sinks into the background.
If I magically took over the show, one of the first things I would do
would be to put Adriana into a near-fatal accident and have her wake
up as the new bitch on the block (I know it's copycat but I still say
the Jason Morgan personality switch was one of the most brilliant
story devices of all time). I'd have this Adriana Version 2.0 steal
all of Dorian's money and throw Mommy Dearest out on the street. Then
I'd have her get revenge on Jessica for cheating on Antonio. Next
she'd buy the property Roxy's hotel is on and decide to demolish it to
build her new corporate offices. There would be a big umbrella story
surrounding the demolition of the hotel, with Natalie campaigning to
save it. She and Adriana would begin a nasty rivalry at this time.
Just as it looked like Natalie and Roxy were able to save the hotel,
Bo would announce that it wasn't so. Adriana would heartlessly destroy
the property, sending Roxy, John, Natalie, Michael, and Marcy all out
into the cold. This is the kind of full-scale bitch Adriana should
be. It's the story of what happens to a convent girl when she inherits
a gigantic fortune and is spoiled by power. And THAT girl would have
been perfectly compatible with Rex Balsom - before he was neutered,
that is.
"First of all, soaps UPHOLD MORALS? The same soaps that have
characters like Blair that have whored themselves for men? The same
soaps that have characters like Natalie who blatantly chase after men
no matter who they're with? What kind of morals are those? Soaps are
purely for entertainment, the icing on the cake is when you get
real-life issues played out on screen like a character dealing with
cancer, or being gay. To suggest though that soaps are for teaching
morals is, well - ridiculous!" - Beatrice
Beatrice is responding to the item in last week's mail bag section
where one of my readers suggested that the interracial pairing of Todd
and Evangeline would disrupt the moral teachings of parents - black
and white - everywhere. Which of course I had to rant about in
vehement disagreement. But I was dissecting the incoherence of the
logic behind interracial love affecting one's morals. Because to me
there is no relationship between the two - merely racism. I was trying
to say that "morality" does not justify racism - nothing does. But
what Beatrice suggests is just as valid and not quite as dramatic:
Soaps are not for upholding morals. They're for entertainment! How
often do we (and TPTB) forget that? Entertainment should always be the
#1 goal where the production of soap operas is concerned. And yes,
when a soap is able to address social issues within an entertaining
storyline, then by all means PREACH IT! Let's face it - soaps are
produced, written, and acted out mostly by individuals who live in big
cities and have liberal politics. Not all, but most. And most those
same people are friends with and work within a community of artists
which includes members of all races as well as plenty of gay people.
So of course they are going to want to tell social issue storylines
because they are advocating for their friends and often for
themselves. That desire is balanced out by the corporate suits who are
aware that a good chunk of the soap audience is conservative and
sometimes even racist, homophobic, etc. I think the only moral
responsibility soaps have is to not let that fear of turning off the
conservative part of their audience prevent them from telling the
stories they want to tell. Quite simply, it is a form of censorship.
It's the year 2007 - as far as I'm aware interracial relationships are
commonplace. I'm ready for stories like Zarf/Zoe on AMC - socially
progressive and very entertaining. If socially progressive isn't
possible, then at the very least I expect to be entertained. Tangeline
entertains me, and the fact that they would constitute an interracial
couple is completely inconsequential.
"I don't know if you get Erika Slezak's newsletter but she said she is
very upset at the way Viki is being written (or lack of). I don't
blame her because we all know Viki could be doing so much more than
just sitting on the sidelines. And they don't have to bring out Niki
every two years either. I am also not a huge fan of paring Viki and
Clint again. I think Viki needs someone new... This is a very bad time
for soaps, like you said in your column. Besides canceling shows, they
are kicking off characters that should be front and center. AMC did it
with Brooke English and now GH is doing it with Alan Quartetrmaine. I
don't quite know how I would survive if I heard that OLTL was being
canceled or if Erika was leaving/fired. But I'm afraid with the way the
soaps are being disrespected now, both are possible." - Sean
Unfortunately, anything is possible these days. But even these
current TPTB aren't stupid enough to fire Erika Slezak. However, if
they continue to ignore her talent, she may get frustrated enough to
leave. She is a consummate actress still capable of carrying a huge
storyline. She spent years doing so and only recently has been
neglected. This has to bruise her ego, not to mention frustrate her as
an artist. True actors need a challenge. If she feels unchallenged for
much longer, she may be forced to seek that challenge elsewhere -
perhaps by returning to the stage. But the chances of her leaving, in
my opinion, remain obsolete for the time being. That said, the
situation with neglected vets on daytime is truly reaching a new level
of abhorrence. AMC's decision to let their best actress (Julia Barr) go
and not even write her an exit story, was appalling. GH's painfully
sad release of Stuart Damon is stunning and heartbreaking. Not only
has GH probably taken years off of this man's life, but they have also
sliced fresh wounds through the rest of the cast, creating a new low
in morale and sending shockwaves of fear through the minds of all the
remaining vets (as well as drudging up old memories of how Anna Stuart
was essentially murdered by TPTB). Stuart Damon is a marvelous actor
and a true core character on the show for nearly 30 years. The fact
that GH fired him just before his 30th Anniversary with the show is
doubly uncouth. It is the most efficient evidence to date that TPTB
want to get rid of all the "old folks." They clearly can't write for
anyone with wrinkles and see no point to it. Nothing could hurt soaps
more than this trend. It supports the conspiracy theories which
suggest that TPTB are trying to get soaps cancelled. They are
purposely alienating the very few true-blue fans who remain. They seem
intent on disavowing the time-honored family tradition of soaps,
instead opting to force the top generation or two of Quartermaines,
Buchanan's, etc., into obscurity. I would like to suggest that you take
the time to write to TPTB (addresses listed below) and let them know
how you feel about Stuart's firing, and the complete disrespect the
current producers and writers have for veteran players. The fans do
not care how many wrinkles are on John Ingle's face - in fact, those
wrinkles only accentuate his acting. Not only are wrinkles interesting
to look at, but they often force us to pay more attention to the eyes
as we are not distracted by the beauty of youth. And when you look
into the eyes of a veteran player like Stuart Damon, you are likely to
see something profound and touching. But TPTB would rather we focus on
superficial beauty and ignore what is more human and more interesting
to behold, even at the expense of defiling the importance of the core
family unit. If the shows sadly cannot pay to have all of their cast
members under contract, then they should at least offer them recurring
jobs. The fact that they killed off Alan Quartermaine far before his
time is a gross indecency and a big F-you to the fans. This would be
akin to OLTL firing Phil Carey. What happens then in ten years when
Erika Slezak is nearing 70? What about Robin Strasser? Her contract is
up next year.
"What a horrible future it would be without soaps. I am still hurting
over the cancellation of Another World. I loved that show. I always
thought that show had the best sense of humor and real life reactions
than any I’ve watched. It’s probably been off, what 10 years now? And
I still think of the show and stories on there often and miss it
terribly." - Bea A.
I didn't watch Another World regularly, but I did catch it from time
to time. It wasn't my cup of tea but I did respect it. Some of the
characters were more interesting than those on most of the other soaps
(Felicia, Rachel, Karl, and Cass come to mind), and many of the actors
were excellent. I thought Passions was fabulously awful and at times
very entertaining. But I'm a closet James Reilly fan (shhh!) who
enjoys evil clowns, demonic possessions, monkeys in love, 70 year-old
witches having newborn babies, etc. Passions was Reilly's ultimate
bonanza of camp and gothic horror. I feel bad for its fans.
Ultimately, I believe it was done in by the fact that most of the
actors just flat-out sucked. Passions, more than any other soap, chose
to value physical beauty over talent. Because of that, it deserved to
go off the air. And other soaps will deserve that same fate if they
follow in Passions' footsteps. But the only glee I get out of
Passions' cancellation is that now there is a chance for Andrea Evans
to FINALLY return to the soap that made her a star and to the
character of Tina Lord - definitely one of the 5 best characters in
the show's history. If you have it in your heart, write to TPTB
demanding her return - and tell them Jeremy sent you! While you're at
it, make sure you let them know that you value talent over looks, and
that you love the vets and want them treated with respect.
Please send your OLTL thoughts, complaints, suggestions, and desperate
pleas to:
Robert Iger, President of Disney (ABC Parent Company)
robert.a.iger@disney.com.
Anne Sweeney, President of ABC
anne.x.sweeney@abc.com.
That's it for this week. Thanks for reading, and don't forget to
e-mail me.